Studying Popular Music contends that popular music can be properly understood only through interdisciplinary study methods. He demonstrates this through a critical analysis of issues from the political economy of popular music, its history and ethnography, to its aesthetics and ideology.
Studying Popular Music contends that popular music can be properly understood only through interdisciplinary study methods. He demonstrates this through a critical analysis of issues from the political economy of popular music, its history and ethnography, to its aesthetics and ideology.
Part 1 Charting the popular - towards a historical framework: roll over Beethoven? - sites and soundings on the music historical map it's all over now popular music and mass culture - Adorno's theory over the rainbow? - technology, politics and popular music in an era beyond mass culture. Part 2 Taking a part - towards an analytical framework: change gonna come? - popular music and musicology I heard it through the grapevine? - popular music in culture from me to you popular music as message lost in music? - pleasure, value and ideology in popular music
Part 1 Charting the popular - towards a historical framework: roll over Beethoven? - sites and soundings on the music historical map it's all over now popular music and mass culture - Adorno's theory over the rainbow? - technology, politics and popular music in an era beyond mass culture. Part 2 Taking a part - towards an analytical framework: change gonna come? - popular music and musicology I heard it through the grapevine? - popular music in culture from me to you popular music as message lost in music? - pleasure, value and ideology in popular music
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