In this book, Wanning Sun illuminates the harsh reality of inequality and discrimination that China’s rural migrant workers face every day, and how these workers use available media to negotiate these injustices. This book is essential reading for all concerned with the growing use of media in the cultural politics of our highly digitalized world.
In this book, Wanning Sun illuminates the harsh reality of inequality and discrimination that China’s rural migrant workers face every day, and how these workers use available media to negotiate these injustices. This book is essential reading for all concerned with the growing use of media in the cultural politics of our highly digitalized world.
Wanning Sun is Professor of Media and Cultural Studies at the University of Technology Sydney, Australia, and a Fellow of the Australian Academy of the Humanities (FAHA). She is a member of the College of Experts, Australian Research Council (2020-2022). She is best known for her work in the fields of Chinese media and cultural studies, migration, and social change in contemporary China, and diasporic Chinese media. She is the author of four research monographs including Leaving China: Media, Migration, and Transnational Imagination (2002) and Maid in China: Media, Morality, and the Cultural Politics of Boundaries (2009).
Inhaltsangabe
Part I: Context, Method, and Framework Chapter 1: Configuring the Nongmingong Chapter 2: The Chinese Subaltern Part II: Hegemonic Mediations Chapter 3: News Values, Stability Maintenance, and the Politics of Voice Chapter 4: Urban Cinema and the Limits of Harmony Production Part III: Subaltern Politics Chapter 5: Documentary Videos, Cultural Activism, and Alternative History Chapter 6: Digital-Political Literacy and Photography as Self-Ethnography Part IV: Cultural Brokering Chapter 7: Worker-Poets, Political Intervention, and Cultural Brokering Chapter 8: Dagong Literature and a New Sexual-Moral Economy Conclusion
Part I: Context, Method, and Framework Chapter 1: Configuring the Nongmingong Chapter 2: The Chinese Subaltern Part II: Hegemonic Mediations Chapter 3: News Values, Stability Maintenance, and the Politics of Voice Chapter 4: Urban Cinema and the Limits of Harmony Production Part III: Subaltern Politics Chapter 5: Documentary Videos, Cultural Activism, and Alternative History Chapter 6: Digital-Political Literacy and Photography as Self-Ethnography Part IV: Cultural Brokering Chapter 7: Worker-Poets, Political Intervention, and Cultural Brokering Chapter 8: Dagong Literature and a New Sexual-Moral Economy Conclusion
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