The book fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed.
The book fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed.
Contents List of Figures List of Contributors Preface Acknowledgements Introduction 1. The Long History of Collage: from Early Modern Commonplace Books to Twenty-First-Century Experimental Writing, David Banash 2. 'Little Forms' of the Avant-Garde: Walter Benjamin's Einbahnstraße ( One-Way Street, 1928) Sofia Cumming 3. Weaponizing the Cut: William S. Burroughs's Transmedial Experiments Benjamin J. Heal 4."Un'appendice sensibile del cervello": Stelio Maria Martini's Collage between Neurosis and Sensitivity Dalila Colucci 5. Collage and Late Style Wojciech Dr¿g 6. "A heuristic of thought itself" - Montage, Writing, Method Heath Valentine 7. Collage with Words and Images or the Empiricist Turn in the Arts Magda Dragu Index
Contents List of Figures List of Contributors Preface Acknowledgements Introduction 1. The Long History of Collage: from Early Modern Commonplace Books to Twenty-First-Century Experimental Writing, David Banash 2. 'Little Forms' of the Avant-Garde: Walter Benjamin's Einbahnstraße ( One-Way Street, 1928) Sofia Cumming 3. Weaponizing the Cut: William S. Burroughs's Transmedial Experiments Benjamin J. Heal 4."Un'appendice sensibile del cervello": Stelio Maria Martini's Collage between Neurosis and Sensitivity Dalila Colucci 5. Collage and Late Style Wojciech Dr¿g 6. "A heuristic of thought itself" - Montage, Writing, Method Heath Valentine 7. Collage with Words and Images or the Empiricist Turn in the Arts Magda Dragu Index
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