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Like Whitman’s "Song of Myself," Hughes’ Sugar Factory is a laud for the land, a deep song of praise for the ecstasy in the ordinary. Riding the train, peeling fruit, contemplating streaks of color—here we find everyday encounters opening doorways to memory, both intimate and ancestral. The result is a quietly fierce collection of poems that spans coasts and continents as it boldly "carries the voices of the living/and the dead." Patricia Killelea

Produktbeschreibung
Like Whitman’s "Song of Myself," Hughes’ Sugar Factory is a laud for the land, a deep song of praise for the ecstasy in the ordinary. Riding the train, peeling fruit, contemplating streaks of color—here we find everyday encounters opening doorways to memory, both intimate and ancestral. The result is a quietly fierce collection of poems that spans coasts and continents as it boldly "carries the voices of the living/and the dead." Patricia Killelea
Autorenporträt
Emily Wallis Hughes is a poet and editor who grew up in Agua Caliente, California, a small town in the Sonoma Valley. Her poems have been published or are forthcoming in the Berkeley Poetry Review, Elderly, Gigantic Magazine, Luna Luna Magazine, Menage, Painted Bride Quarterly, A Women's Thing, ZAUM, and other little magazines. She co-edited Slovene avant-garde poet Jure Detela's Moss & Silver, translated by Raymond Miller with Tatjana Jamnik (Ugly Duckling Presse). She earned an M.A. in English Literature and Creative Writing-Poetry from the University of California, Davis, and an M.F.A. in Poetry from New York University. Emily currently teaches creative writing at Rutgers-New Brunswick and composition at the College of Staten Island (CUNY). She lives in Brooklyn, where she volunteers for Fence Books and Ugly Duckling Presse.