How is a poem made? From what constellation of inner and outer worlds does it issue forth? T. S. Eliot and the Dynamic Imagination charts the relations between metaphor and creativity in Eliot's poetry and criticism in dialogue with developments in 'new physics', optics, colour theory, cognitive psychology, and anthropology.
How is a poem made? From what constellation of inner and outer worlds does it issue forth? T. S. Eliot and the Dynamic Imagination charts the relations between metaphor and creativity in Eliot's poetry and criticism in dialogue with developments in 'new physics', optics, colour theory, cognitive psychology, and anthropology.
Sarah Kennedy is a Fellow in English at Downing College, University of Cambridge. She gave the 2016 T. S. Eliot Lecture on 'Eliot's Ghost Women', and contributed a chapter on 'Ash-Wednesday and the Ariel Poems' to the New Cambridge Companion to T. S. Eliot, (Cambridge, 2016).
Inhaltsangabe
Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare 2. Hints of earlier and other creation 3. This isle is full of noises Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces 5. Looking backward 6. Luminous recognitions Part III. Gestation and Resurrection: 7. His dark materials 8. Dark doubles 9. Blood for the ghosts.
Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare 2. Hints of earlier and other creation 3. This isle is full of noises Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces 5. Looking backward 6. Luminous recognitions Part III. Gestation and Resurrection: 7. His dark materials 8. Dark doubles 9. Blood for the ghosts.
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