An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications.
An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications.
Mario Slugan is Lecturer at the Department of Film of Studies, Queen Mary University of London. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017) and Noël Carroll and Film: A Philosophy of Art and Popular Culture (Bloomsbury Academic, 2019). He is also Fellow of the Society for the Cognitive Studies of the Moving Image, editor of the open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book reviews editor of Early Popular Visual Culture.
Inhaltsangabe
List of figures Acknowledgements Introduction PART ONE: Theories of Fiction 1. Fiction as challenge to cinema studies 2. Philosophy of fiction PART TWO: Fiction as Primarily Mandated Imagination 3. The temporally unstable primacy of mandate 4. Mandated Imagination in Fiction Film PART THREE: Imagination and the effects of fiction 5. Imaginative resistance and the richness of imagining 6. Imagination and emotional engagement with characters 7. Fiction, belief and knowledge acquisition Conclusion Notes Bibliography Index
List of figures Acknowledgements Introduction PART ONE: Theories of Fiction 1. Fiction as challenge to cinema studies 2. Philosophy of fiction PART TWO: Fiction as Primarily Mandated Imagination 3. The temporally unstable primacy of mandate 4. Mandated Imagination in Fiction Film PART THREE: Imagination and the effects of fiction 5. Imaginative resistance and the richness of imagining 6. Imagination and emotional engagement with characters 7. Fiction, belief and knowledge acquisition Conclusion Notes Bibliography Index
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