An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications.
An interrogation of fiction as one of two key categorisations of film, exploring its influence upon audience experience and its broader real-life implications.
List of figures Acknowledgements Introduction PART ONE: Theories of Fiction 1. Fiction as challenge to cinema studies 2. Philosophy of fiction PART TWO: Fiction as Primarily Mandated Imagination 3. The temporally unstable primacy of mandate 4. Mandated Imagination in Fiction Film PART THREE: Imagination and the Effects of Fiction 5. Imaginative resistance and the richness of imagining 6. Imagination and emotional engagement with characters 7. Fiction, belief and knowledge acquisition Conclusion Notes Bibliography Index
List of figures Acknowledgements Introduction PART ONE: Theories of Fiction 1. Fiction as challenge to cinema studies 2. Philosophy of fiction PART TWO: Fiction as Primarily Mandated Imagination 3. The temporally unstable primacy of mandate 4. Mandated Imagination in Fiction Film PART THREE: Imagination and the Effects of Fiction 5. Imaginative resistance and the richness of imagining 6. Imagination and emotional engagement with characters 7. Fiction, belief and knowledge acquisition Conclusion Notes Bibliography Index
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