In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based…mehr
In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based on Coriolanus and drawing on films such as Skyfall and The Hurt Locker; and an account of the terrorist bombing at a performance of Twelfth Night in Qatar in 2005. These pieces of narrative and drama are interspersed with literary criticism, each using a feature of the original Shakespeare play or its performance to illuminate the extraordinary elasticity of Shakespeare. The 'tales' provoke questions about what we understand to be Shakespeare and not-Shakespeare, making the book of vital interest to students, scholars, and enthusiasts of Shakespeare, literary criticism and creative writing.
Graham Holderness is a writer and critic who has published, as author or editor, more than sixty books, many on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. His more recent work has pioneered methods of critical-creative writing, exemplified by Nine Lives of William Shakespeare (Bloomsbury/Arden Shakespeare, 2011); Tales from Shakespeare: Creative Collisions (Cambridge University Press, 2014); and Re-writing Jesus: Christ in 20th Century Fiction and Film (Bloomsbury, 2014): Samurai Shakespeare¿ (EER, 2021). He has published several works of fiction: The Prince of Denmark (University of Hertfordshire Press, 2001; EER, 2021); Ecce Homo (Bloomsbury, 2014); Black and Deep Desires: William Shakespeare Vampire Hunter (Top Hat Books, 2014); and Meat, Murder, Malfeasance, Medicine and Martyrdom: Smithfield Stories (EER, 2019).
Inhaltsangabe
Introduction: from appropriation to collision Part I: 1. The voyage of the Red Dragon 2. 'Shooting an elephant' Part II: 3. Shakespeare and the King James Bible 4. 'Wholly Writ': a play in two acts Part III: 5. The Coriolanus myth 6. 'The lonely dragon' Part IV: 7. Shakespeare and 9/11 8. 'Rudely interrupted' Afterword: 'Tales from Shakespeare'.
Introduction: from appropriation to collision Part I: 1. The voyage of the Red Dragon 2. 'Shooting an elephant' Part II: 3. Shakespeare and the King James Bible 4. 'Wholly Writ': a play in two acts Part III: 5. The Coriolanus myth 6. 'The lonely dragon' Part IV: 7. Shakespeare and 9/11 8. 'Rudely interrupted' Afterword: 'Tales from Shakespeare'.
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