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For nearly 25 years, Pauline Kael (1919-2001) was one of America's most respected, controversial, and talked-about film reviewer, yet her film criticism for The New Yorker has never been systematically discussed or analyzed. This collection of essays on Pauline Kael investigates the range, scope, and influence of Kael's film criticism over the years (1968-81) that she wrote for The New Yorker.

Produktbeschreibung
For nearly 25 years, Pauline Kael (1919-2001) was one of America's most respected, controversial, and talked-about film reviewer, yet her film criticism for The New Yorker has never been systematically discussed or analyzed. This collection of essays on Pauline Kael investigates the range, scope, and influence of Kael's film criticism over the years (1968-81) that she wrote for The New Yorker.
Autorenporträt
Wayne Stengel is professor of English at the University of Central Arkansas, where he teaches modernism, postmodernism, film studies, and American literature. He has published articles on Sam Shepard, Alfred Hitchcock, and Brian De Palma, among others, and is the author of The Shape of Art in the Short Stories of Donald Barthelme (1987).