Tarab - Michael Frishkopf; Scott Marcus; Dwight Reynolds
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In Arab culture, at the ineffable point where music meets emotion, lies ?arab. Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ?arab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures.

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Produktbeschreibung
In Arab culture, at the ineffable point where music meets emotion, lies ?arab. Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ?arab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures.
Autorenporträt
Michael Frishkopf is a professor of music at the University of Alberta. He is the coeditor of Resisting the Dehumanization of Refugees; Music, Sound, and Architecture in Islam; and Music and Media in the Arab World. Scott Marcus is a professor of music (ethnomusicology) at the University of California, Santa Barbara. He is the author of Music in Egypt and coeditor of The Garland Encyclopedia of World Music, Volume 6, The Middle East. Dwight Reynolds is Distinguished Professor of Arabic Language and Literature at the University of California, Santa Barbara. He is the author of The Musical Heritage of al-Andalus and Medieval Arab Music and Musicians , as well as coeditor of The Garland Encyclopedia of World Music, Volume 6, The Middle East.