In the 1830s, missionaries in French Polynesia sought to suppress the traditional art of tattooing, because they believed it to be a barbaric practice. More than 150 years later, tattooing is once again thriving in French Polynesia.
In the 1830s, missionaries in French Polynesia sought to suppress the traditional art of tattooing, because they believed it to be a barbaric practice. More than 150 years later, tattooing is once again thriving in French Polynesia.
Makiko Kuwahara is Research Fellow at the Department of Anthropology, Goldsmiths College, University of London.
Inhaltsangabe
Introduction Discontinuity and Displacement: Place and History of Tattooing Recovering Ma'ohi Skin - Renaissance of Contemporary Tattooing Tattooing from the Late Eighteenth Century to the Early Nineteenth Century Tapu and Body- Tattooing in the Late Eighteenth Century Different Skins-Change through European Contact Religious Influence: Evangelization and Tattooing Law and Punishment Tattooing and Resistance Conclusion Practice and Form Practice of Tattooing Form of Tattoos Categories of Tattoo Form Conclusion Marking Taure'are' a: Social Relationships and Tattooing Gender, Ethnic and Age Differences in Tahitian Society Tattooists in Tahiti Tahitian Tattoo World Creation and Transformation of Tattooing Conclusion Exchanges in Taputapuatea: Localization and Globalization Tatau i Taputapuatea Tahitian and Non-Tahitian Interests on the Other Tattooing The Ownership and Transmission of Tattooing Friendship Bond in the Tahitian Tattoo World Exchange in Taputapuatea Tattooing Non-Polynesian: the Case of Michel Raapoto Four Ownerships of Tattoo Conclusion Dancing and Tattooing at Festivals: Tahitian, Polynesian and Marquesan Identities Festivals and Images of Islands Heiva Festival of Pacific Arts Marquesan Art Festival Conclusion Inscribing the Past, Present and Future: In the Nuutania Prison The Road to the Nuutania Prison Le centre pnitentiare de Nuutania The Prison Life and Tattooing The Inmate Tattooists The Spatiality of Prison Tattooing Body in the Past, Present and Future Conclusion Conclusion
Introduction Discontinuity and Displacement: Place and History of Tattooing Recovering Ma'ohi Skin - Renaissance of Contemporary Tattooing Tattooing from the Late Eighteenth Century to the Early Nineteenth Century Tapu and Body- Tattooing in the Late Eighteenth Century Different Skins-Change through European Contact Religious Influence: Evangelization and Tattooing Law and Punishment Tattooing and Resistance Conclusion Practice and Form Practice of Tattooing Form of Tattoos Categories of Tattoo Form Conclusion Marking Taure'are' a: Social Relationships and Tattooing Gender, Ethnic and Age Differences in Tahitian Society Tattooists in Tahiti Tahitian Tattoo World Creation and Transformation of Tattooing Conclusion Exchanges in Taputapuatea: Localization and Globalization Tatau i Taputapuatea Tahitian and Non-Tahitian Interests on the Other Tattooing The Ownership and Transmission of Tattooing Friendship Bond in the Tahitian Tattoo World Exchange in Taputapuatea Tattooing Non-Polynesian: the Case of Michel Raapoto Four Ownerships of Tattoo Conclusion Dancing and Tattooing at Festivals: Tahitian, Polynesian and Marquesan Identities Festivals and Images of Islands Heiva Festival of Pacific Arts Marquesan Art Festival Conclusion Inscribing the Past, Present and Future: In the Nuutania Prison The Road to the Nuutania Prison Le centre pnitentiare de Nuutania The Prison Life and Tattooing The Inmate Tattooists The Spatiality of Prison Tattooing Body in the Past, Present and Future Conclusion Conclusion
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