Taylor Swift and the Philosophy of Re-recording
The Art of Taylor's Versions
Herausgeber: Polite, Brandon
Taylor Swift and the Philosophy of Re-recording
The Art of Taylor's Versions
Herausgeber: Polite, Brandon
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A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swiftâ s ongoing project of re-recording her first six studio albums.
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A lively and thorough exploration of the aesthetic, metaphysical, ethical, political, and legal implications of Taylor Swiftâ s ongoing project of re-recording her first six studio albums.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 232
- Erscheinungstermin: Februar 2025
- Englisch
- Abmessung: 215mm x 137mm x 19mm
- Gewicht: 296g
- ISBN-13: 9781350421561
- ISBN-10: 1350421561
- Artikelnr.: 70706050
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 232
- Erscheinungstermin: Februar 2025
- Englisch
- Abmessung: 215mm x 137mm x 19mm
- Gewicht: 296g
- ISBN-13: 9781350421561
- ISBN-10: 1350421561
- Artikelnr.: 70706050
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Brandon Polite is Associate Professor of Philosophy and Chair of the Philosophy Department at Knox College, USA.
Notes on Contributors
Preface
Acknowledgments
Glossary
Timeline of Taylor Swift's Career
Introduction: The Story of Taylor's Versions
Brandon Polite (Knox College, USA)
1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick (Furman University, USA)
2 Tell Me Why This Isn't a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir
(University of Houston, USA), and Ron McClamrock (University at Albany,
USA)
3 Conceptual Art (Taylor's Version)
Sherri Irvin ((University of Oklahoma, USA)
4 The Art and Craft of (Re-) Recording
Michael Thomas Connolly
5 Re-recording as Reclamation: Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite (Knox College, USA)
6 Meaning and Moral in Taylor's Versions
Alex King (Simon Fraser University, USA)
7 Appreciating Taylor's Version: An Aesthetic Love Story
Irene Martínez Marín (Uppsala University, Sweden)
8 Taylor's Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)
9 The Rights of the Living Dead: Taylor Swift's Zombie Army
Elizabeth Cantalamessa (St. Bonaventure University, USA)
Bibliography
Index
Preface
Acknowledgments
Glossary
Timeline of Taylor Swift's Career
Introduction: The Story of Taylor's Versions
Brandon Polite (Knox College, USA)
1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick (Furman University, USA)
2 Tell Me Why This Isn't a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir
(University of Houston, USA), and Ron McClamrock (University at Albany,
USA)
3 Conceptual Art (Taylor's Version)
Sherri Irvin ((University of Oklahoma, USA)
4 The Art and Craft of (Re-) Recording
Michael Thomas Connolly
5 Re-recording as Reclamation: Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite (Knox College, USA)
6 Meaning and Moral in Taylor's Versions
Alex King (Simon Fraser University, USA)
7 Appreciating Taylor's Version: An Aesthetic Love Story
Irene Martínez Marín (Uppsala University, Sweden)
8 Taylor's Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)
9 The Rights of the Living Dead: Taylor Swift's Zombie Army
Elizabeth Cantalamessa (St. Bonaventure University, USA)
Bibliography
Index
Notes on Contributors
Preface
Acknowledgments
Glossary
Timeline of Taylor Swift's Career
Introduction: The Story of Taylor's Versions
Brandon Polite (Knox College, USA)
1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick (Furman University, USA)
2 Tell Me Why This Isn't a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir
(University of Houston, USA), and Ron McClamrock (University at Albany,
USA)
3 Conceptual Art (Taylor's Version)
Sherri Irvin ((University of Oklahoma, USA)
4 The Art and Craft of (Re-) Recording
Michael Thomas Connolly
5 Re-recording as Reclamation: Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite (Knox College, USA)
6 Meaning and Moral in Taylor's Versions
Alex King (Simon Fraser University, USA)
7 Appreciating Taylor's Version: An Aesthetic Love Story
Irene Martínez Marín (Uppsala University, Sweden)
8 Taylor's Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)
9 The Rights of the Living Dead: Taylor Swift's Zombie Army
Elizabeth Cantalamessa (St. Bonaventure University, USA)
Bibliography
Index
Preface
Acknowledgments
Glossary
Timeline of Taylor Swift's Career
Introduction: The Story of Taylor's Versions
Brandon Polite (Knox College, USA)
1 Taylor Swift, Justice, and the Fundamentals of Copyright
Darren Hudson Hick (Furman University, USA)
2 Tell Me Why This Isn't a Cover
Cristyn Magnus, P.D. Magnus (University at Albany, USA), Christy Mag Uidhir
(University of Houston, USA), and Ron McClamrock (University at Albany,
USA)
3 Conceptual Art (Taylor's Version)
Sherri Irvin ((University of Oklahoma, USA)
4 The Art and Craft of (Re-) Recording
Michael Thomas Connolly
5 Re-recording as Reclamation: Metaphysics, Metaphor, and Taylor's Versions
Brandon Polite (Knox College, USA)
6 Meaning and Moral in Taylor's Versions
Alex King (Simon Fraser University, USA)
7 Appreciating Taylor's Version: An Aesthetic Love Story
Irene Martínez Marín (Uppsala University, Sweden)
8 Taylor's Versions and Versions of Taylor
Ley David Elliette Cray (Independent Scholar, USA)
9 The Rights of the Living Dead: Taylor Swift's Zombie Army
Elizabeth Cantalamessa (St. Bonaventure University, USA)
Bibliography
Index