Teaching Shakespeare Through Performance - Milla Cozart Riggio
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This is designed for teachers of both high school and college English courses who wish to introduce performance strategies into their classroom. It illustrates how attention to theatrical detail can give insight into Shakespeare's work and world: the significance of an omitted exit or entrance, the role of stage directions in King Lear, costumes and transvestism on the Renaissance stage, the changing fashions of acting Juliet, how experimenting with the use of different personal props in a scene from Hamlet reveals cultural attitudes, and much more.

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Produktbeschreibung
This is designed for teachers of both high school and college English courses who wish to introduce performance strategies into their classroom. It illustrates how attention to theatrical detail can give insight into Shakespeare's work and world: the significance of an omitted exit or entrance, the role of stage directions in King Lear, costumes and transvestism on the Renaissance stage, the changing fashions of acting Juliet, how experimenting with the use of different personal props in a scene from Hamlet reveals cultural attitudes, and much more.
Autorenporträt
Milla Cozart Riggio is James J. Goodman Professor of English at Trinity College, Connecticut. She has published essays on Shakespeare in Shakespeare Quarterly and has worked as dramaturge on Shakespeare productions directed by, among others, Mark Lamos and Richard Schechner. She has edited The Play of Wisdom: Its Texts and Contexts and a special edition of TDR: The Journal of Performance Studies on Trinidad and Tobago Carnival.