This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film.
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film.
Santiago Hidalgo is Director of the [Laboratoire CinéMédias](http://labocinemedias.ca/) and [Affiliate Professor](https://recherche.umontreal.ca/nos-chercheurs/repertoire-des-professeurs/chercheur/is/in28935/) at Université de Montréal. He is a member of the [TECHNÊS](http://technes.org/) *International Research Partnership on Cinema Technology* scientific committee and editor of the [Cinema and Technology] series at Amsterdam University Press. He is co-editor of *The Blackwell Companion to Early Cinema* (Wiley, 2011). André Gaudreault is a professor in the Department of Art History and Cinema Studies at the Université de Montréal and Canada Research Chair in Cinema and Media Studies.
Inhaltsangabe
Foreword, Introduction, The Discursive Spaces Between a History of Film Technology and Technological Experience, SECTION I: EXPERIENCE Chapter 1 When Did Cinema Become Cinema?: Technology, History, and the Moving Pictures Charles Musser Chapter 2 Exhibition Practices in Transition: Spectators, Audiences, and Projectors Jan Olsson Chapter 3 Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia André Habib Chapter 4 Walter Benjamin's Play Room: Where the Future So Eloquently Nests Or: What is Cinema Again? Dana Cooley SECTION II: STUDY Chapter 5 Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film David Colangelo Chapter 6 Film Analysis and Statistics: A Field Report Charles O'Brien Chapter 7 A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Paul Moore SECTION III: THEORY Chapter 8 Graphism: A New Approach to the Evolution of Film Language Through Technology Tom Gunning Chapter 9 Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology Vinzenz Hediger Chapter 10 On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema Benoît Turquety.
Foreword, Introduction, The Discursive Spaces Between a History of Film Technology and Technological Experience, SECTION I: EXPERIENCE Chapter 1 When Did Cinema Become Cinema?: Technology, History, and the Moving Pictures Charles Musser Chapter 2 Exhibition Practices in Transition: Spectators, Audiences, and Projectors Jan Olsson Chapter 3 Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia André Habib Chapter 4 Walter Benjamin's Play Room: Where the Future So Eloquently Nests Or: What is Cinema Again? Dana Cooley SECTION II: STUDY Chapter 5 Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film David Colangelo Chapter 6 Film Analysis and Statistics: A Field Report Charles O'Brien Chapter 7 A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Paul Moore SECTION III: THEORY Chapter 8 Graphism: A New Approach to the Evolution of Film Language Through Technology Tom Gunning Chapter 9 Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology Vinzenz Hediger Chapter 10 On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema Benoît Turquety.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
