This book analyzes the ways in which television dramas allow audiences to vicariously experience fantasy-indulging, escapism-satisfying, and reality-reckoning stories. Contributors discuss how our innate desire to tell human stories both binds us together and motivates us to persevere as a community on a global scale.
This book analyzes the ways in which television dramas allow audiences to vicariously experience fantasy-indulging, escapism-satisfying, and reality-reckoning stories. Contributors discuss how our innate desire to tell human stories both binds us together and motivates us to persevere as a community on a global scale.
Diana I. Ríos is associate professor in the Department of Communication and El Instituto: Latino/Latin American and Caribbean Studies at the University of Connecticut. Carolyn A. Lin is professor of communication at the University of Connecticut.
Inhaltsangabe
Introduction: Television Dramas as Storytellers of Race and Gender for the Global Village Diana I. Rios and Carolyn A. Lin Section I. Fantasy-Science Fiction, Horror, and Mystery Chapter 1: Luke Cage is Harlem's Captain America: Black Masculinity and Vulnerability in the Marvel Cinematic Universe Graeme John Wilson Chapter 2: Doctor Who's 13th Doctor: Redefining the Female Lead in Science Fiction Television Gwendelyn S. Nisbett and Newly Paul Chapter 3: A Woman in Trouble in Twin Peaks: The Return: Gothic Texts, Magical Technology, and Dreams Within Dreams Joseph Boisvere Chapter 4: Arya and Sansa Stark of HBO's The Game of Thrones: Abuse, Agency, Trauma Survival, and Redefined Destinies Diana I. Rios, Mary Helen Millham, Karin A. Haberlin, and Graciela Quiñones-Rodriguez Chapter 5: The Protagonists of the Fantasy Drama Lost: From Stereotypes to Flexible Identities Jérôme David Section II. Soap Operas and Telenovelas Chapter 6: Pakistan Television Drama Serials and Telenovelas During
Introduction: Television Dramas as Storytellers of Race and Gender for the Global Village Diana I. Rios and Carolyn A. Lin Section I. Fantasy-Science Fiction, Horror, and Mystery Chapter 1: Luke Cage is Harlem's Captain America: Black Masculinity and Vulnerability in the Marvel Cinematic Universe Graeme John Wilson Chapter 2: Doctor Who's 13th Doctor: Redefining the Female Lead in Science Fiction Television Gwendelyn S. Nisbett and Newly Paul Chapter 3: A Woman in Trouble in Twin Peaks: The Return: Gothic Texts, Magical Technology, and Dreams Within Dreams Joseph Boisvere Chapter 4: Arya and Sansa Stark of HBO's The Game of Thrones: Abuse, Agency, Trauma Survival, and Redefined Destinies Diana I. Rios, Mary Helen Millham, Karin A. Haberlin, and Graciela Quiñones-Rodriguez Chapter 5: The Protagonists of the Fantasy Drama Lost: From Stereotypes to Flexible Identities Jérôme David Section II. Soap Operas and Telenovelas Chapter 6: Pakistan Television Drama Serials and Telenovelas During
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