Text & Presentation, 2006
Herausgeber: Constantinidis, Stratos E.
Text & Presentation, 2006
Herausgeber: Constantinidis, Stratos E.
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Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 30th annual conference held in Los Angeles, California. Topics covered include Beckett, Brecht, Goethe, Tom Stoppard, dance performance, staged violence, the Comedie Francaise, and Greek and Japanese drama. Reviews of selected books are also included.
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Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 30th annual conference held in Los Angeles, California. Topics covered include Beckett, Brecht, Goethe, Tom Stoppard, dance performance, staged violence, the Comedie Francaise, and Greek and Japanese drama. Reviews of selected books are also included.
Produktdetails
- Produktdetails
- Verlag: McFarland
- Seitenzahl: 262
- Erscheinungstermin: 5. Februar 2007
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 430g
- ISBN-13: 9780786430772
- ISBN-10: 078643077X
- Artikelnr.: 22570094
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: McFarland
- Seitenzahl: 262
- Erscheinungstermin: 5. Februar 2007
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 430g
- ISBN-13: 9780786430772
- ISBN-10: 078643077X
- Artikelnr.: 22570094
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Stratos E. Constantinidis, former director of the Comparative Drama Conference and former editor of the Journal of Modern Greek Studies, teaches in the Department of Theatre at Ohio State University and lives in Columbus.
Table of Contents
Acknowledgments
Preface
1. Post-Beckett Theatre
2. Saving Your Breath-And Beckett's Too
3. New Plots and Playful Schemes: Shukô in Raguko, Japanese Comic
Storytelling
4. Iphigenie's Power in Goethe's Iphigenie auf Tauris
5. Mabou Mines Stage Beckett, 1965-1975: The Discipline of Word and
Body
6. Stoppard vs. Brecht: Competing Visions of Galileo
7. New Stage Directions in Waiting for Godot
8. Tom Stoppard's Night and Day, and the "Theatre in Crisis" Playwrights:
Publicly Funded Arts and Freedom of Expression
9. Metaphor and Semiotics in Text and Movement Dance Performance
10. Theatre Hoplology: Simulations and Representations of Violence on the
Stage
11. Acting Lessons at the Comédie Française: Nivelle de la Chaussée and the
Theatricalization of Bourgeois Morality
12. Excavating Muliple "Troys": An Embodied Deconstruction of the Scenario
of Conquest through "Teatro de Vivência"
13. Philosophical Investigations: Will Eno's Thom Pain and the
14. Foreign or Domestic Drama? Osanai Kaoru and Modern Wittgenstein Effect
Japanese Theatre
15. Dressing-up Dramaturgy in Charles L. Mee's Bacchae 2.1
16. Ch¿shingura and Beyond: A Study of Japanese Ideal of Loyalty
17. On Not Knowing Greek Drama: A Review Essay
Review of Literature: Selected Books
Philip C. Kolin, Understanding Adrienne Kennedy
Badia Sahar Ahad
John J. White, Bertolt Brecht's Dramatic Theory
Neil Blackadder
Mary F. Brewer, Staging Whiteness
Miriam M. Chirico
James Fisher, ed., Tony Kushner: New Essays on the Art and Politics of the
Plays
John M. Clum
Shannon Jackson, Professing Performance: Theatre in the Academy from
Philology to Performativity
Penny Farfan
Sonia Massai, ed., World-Wide Shakespeares: Local Appropriations in Film
and Performance
Robert Ormsby
Carol Fisher Sorgenfrei, Unspeakable Acts: The Avant-garde Theatre of
Terayama Shûji and Postwar Japan
Thomas Rimer
Loren Kruger, Post-Imperial Brecht
Carl Weber
Index
Acknowledgments
Preface
1. Post-Beckett Theatre
2. Saving Your Breath-And Beckett's Too
3. New Plots and Playful Schemes: Shukô in Raguko, Japanese Comic
Storytelling
4. Iphigenie's Power in Goethe's Iphigenie auf Tauris
5. Mabou Mines Stage Beckett, 1965-1975: The Discipline of Word and
Body
6. Stoppard vs. Brecht: Competing Visions of Galileo
7. New Stage Directions in Waiting for Godot
8. Tom Stoppard's Night and Day, and the "Theatre in Crisis" Playwrights:
Publicly Funded Arts and Freedom of Expression
9. Metaphor and Semiotics in Text and Movement Dance Performance
10. Theatre Hoplology: Simulations and Representations of Violence on the
Stage
11. Acting Lessons at the Comédie Française: Nivelle de la Chaussée and the
Theatricalization of Bourgeois Morality
12. Excavating Muliple "Troys": An Embodied Deconstruction of the Scenario
of Conquest through "Teatro de Vivência"
13. Philosophical Investigations: Will Eno's Thom Pain and the
14. Foreign or Domestic Drama? Osanai Kaoru and Modern Wittgenstein Effect
Japanese Theatre
15. Dressing-up Dramaturgy in Charles L. Mee's Bacchae 2.1
16. Ch¿shingura and Beyond: A Study of Japanese Ideal of Loyalty
17. On Not Knowing Greek Drama: A Review Essay
Review of Literature: Selected Books
Philip C. Kolin, Understanding Adrienne Kennedy
Badia Sahar Ahad
John J. White, Bertolt Brecht's Dramatic Theory
Neil Blackadder
Mary F. Brewer, Staging Whiteness
Miriam M. Chirico
James Fisher, ed., Tony Kushner: New Essays on the Art and Politics of the
Plays
John M. Clum
Shannon Jackson, Professing Performance: Theatre in the Academy from
Philology to Performativity
Penny Farfan
Sonia Massai, ed., World-Wide Shakespeares: Local Appropriations in Film
and Performance
Robert Ormsby
Carol Fisher Sorgenfrei, Unspeakable Acts: The Avant-garde Theatre of
Terayama Shûji and Postwar Japan
Thomas Rimer
Loren Kruger, Post-Imperial Brecht
Carl Weber
Index
Table of Contents
Acknowledgments
Preface
1. Post-Beckett Theatre
2. Saving Your Breath-And Beckett's Too
3. New Plots and Playful Schemes: Shukô in Raguko, Japanese Comic
Storytelling
4. Iphigenie's Power in Goethe's Iphigenie auf Tauris
5. Mabou Mines Stage Beckett, 1965-1975: The Discipline of Word and
Body
6. Stoppard vs. Brecht: Competing Visions of Galileo
7. New Stage Directions in Waiting for Godot
8. Tom Stoppard's Night and Day, and the "Theatre in Crisis" Playwrights:
Publicly Funded Arts and Freedom of Expression
9. Metaphor and Semiotics in Text and Movement Dance Performance
10. Theatre Hoplology: Simulations and Representations of Violence on the
Stage
11. Acting Lessons at the Comédie Française: Nivelle de la Chaussée and the
Theatricalization of Bourgeois Morality
12. Excavating Muliple "Troys": An Embodied Deconstruction of the Scenario
of Conquest through "Teatro de Vivência"
13. Philosophical Investigations: Will Eno's Thom Pain and the
14. Foreign or Domestic Drama? Osanai Kaoru and Modern Wittgenstein Effect
Japanese Theatre
15. Dressing-up Dramaturgy in Charles L. Mee's Bacchae 2.1
16. Ch¿shingura and Beyond: A Study of Japanese Ideal of Loyalty
17. On Not Knowing Greek Drama: A Review Essay
Review of Literature: Selected Books
Philip C. Kolin, Understanding Adrienne Kennedy
Badia Sahar Ahad
John J. White, Bertolt Brecht's Dramatic Theory
Neil Blackadder
Mary F. Brewer, Staging Whiteness
Miriam M. Chirico
James Fisher, ed., Tony Kushner: New Essays on the Art and Politics of the
Plays
John M. Clum
Shannon Jackson, Professing Performance: Theatre in the Academy from
Philology to Performativity
Penny Farfan
Sonia Massai, ed., World-Wide Shakespeares: Local Appropriations in Film
and Performance
Robert Ormsby
Carol Fisher Sorgenfrei, Unspeakable Acts: The Avant-garde Theatre of
Terayama Shûji and Postwar Japan
Thomas Rimer
Loren Kruger, Post-Imperial Brecht
Carl Weber
Index
Acknowledgments
Preface
1. Post-Beckett Theatre
2. Saving Your Breath-And Beckett's Too
3. New Plots and Playful Schemes: Shukô in Raguko, Japanese Comic
Storytelling
4. Iphigenie's Power in Goethe's Iphigenie auf Tauris
5. Mabou Mines Stage Beckett, 1965-1975: The Discipline of Word and
Body
6. Stoppard vs. Brecht: Competing Visions of Galileo
7. New Stage Directions in Waiting for Godot
8. Tom Stoppard's Night and Day, and the "Theatre in Crisis" Playwrights:
Publicly Funded Arts and Freedom of Expression
9. Metaphor and Semiotics in Text and Movement Dance Performance
10. Theatre Hoplology: Simulations and Representations of Violence on the
Stage
11. Acting Lessons at the Comédie Française: Nivelle de la Chaussée and the
Theatricalization of Bourgeois Morality
12. Excavating Muliple "Troys": An Embodied Deconstruction of the Scenario
of Conquest through "Teatro de Vivência"
13. Philosophical Investigations: Will Eno's Thom Pain and the
14. Foreign or Domestic Drama? Osanai Kaoru and Modern Wittgenstein Effect
Japanese Theatre
15. Dressing-up Dramaturgy in Charles L. Mee's Bacchae 2.1
16. Ch¿shingura and Beyond: A Study of Japanese Ideal of Loyalty
17. On Not Knowing Greek Drama: A Review Essay
Review of Literature: Selected Books
Philip C. Kolin, Understanding Adrienne Kennedy
Badia Sahar Ahad
John J. White, Bertolt Brecht's Dramatic Theory
Neil Blackadder
Mary F. Brewer, Staging Whiteness
Miriam M. Chirico
James Fisher, ed., Tony Kushner: New Essays on the Art and Politics of the
Plays
John M. Clum
Shannon Jackson, Professing Performance: Theatre in the Academy from
Philology to Performativity
Penny Farfan
Sonia Massai, ed., World-Wide Shakespeares: Local Appropriations in Film
and Performance
Robert Ormsby
Carol Fisher Sorgenfrei, Unspeakable Acts: The Avant-garde Theatre of
Terayama Shûji and Postwar Japan
Thomas Rimer
Loren Kruger, Post-Imperial Brecht
Carl Weber
Index







