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These essays cast fresh light on many aspects of contemporary music-making and music-thinking, with lighthearted debunking taking its place alongside impassioned argumentation. A wide-ranging, newly written introduction explores the relationship between issues surrounding musical performance and other areas of contemporary intellectual ferment in the humanities and the social sciences, including philosophy, law, history, and anthropology. Bringing his considerable skills as a scholar and a performer to bear on the situation, Taruskin's essays, ranging from theoretical speculation to practical…mehr

Produktbeschreibung
These essays cast fresh light on many aspects of contemporary music-making and music-thinking, with lighthearted debunking taking its place alongside impassioned argumentation. A wide-ranging, newly written introduction explores the relationship between issues surrounding musical performance and other areas of contemporary intellectual ferment in the humanities and the social sciences, including philosophy, law, history, and anthropology. Bringing his considerable skills as a scholar and a performer to bear on the situation, Taruskin's essays, ranging from theoretical speculation to practical criticism, cover a repertory that includes Bach, Mozart, Beethoven, and Stravinsky.
This collection of essays and reviews offers an evaluation of the early music movement, in an attempt to transform the debate about "early music" and "authenticity".
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