How do television viewers decide that characters are gay? Why is one viewer convinced by a scene where two men smile at each other, whereas another responds to a scene where they share a bed with "I don't see how that makes them gay"? This book examines scenes, situations, and structures that permit characters to be read as LGBT, including two same-sex characters as a romantic couple in the dark comedy/crime drama The Righteous Gemstones and other contemporary television series, contrasted with social media posts that embrace, ignore, or deny their identity. Some surprising strategies emerge,…mehr
How do television viewers decide that characters are gay? Why is one viewer convinced by a scene where two men smile at each other, whereas another responds to a scene where they share a bed with "I don't see how that makes them gay"? This book examines scenes, situations, and structures that permit characters to be read as LGBT, including two same-sex characters as a romantic couple in the dark comedy/crime drama The Righteous Gemstones and other contemporary television series, contrasted with social media posts that embrace, ignore, or deny their identity. Some surprising strategies emerge, such as "if a man speaks to a woman, he is always straight," and "they can't be a romantic couple if another character ever refers to them as 'friends.'" This thoroughly researched work investigates the practices of viewers identifying "gayness" on television, drawing conclusions about both media and audience.
Jeffery P. Dennis holds a PhD in deviance and criminology from Stony Brook University. An associate professor of criminal justice at Minnesota State University, Mankato, he is the author of five books and many articles on LGBT criminalization and queer youth.
Inhaltsangabe
Table of Contents Preface One. "Can't friends love each other?" Embracing and Resisting Queer Moments Two. Looking at Men: Expressed Same-Sex Desire Three. Not Looking at Women: Absence of Expressed Heterosexual Desire Four. The Physique and the Phallus Five. "What real gays are like": The Feminine Six. The Murderer and the Mafioso Seven. "We don't believe in anything": Unbelief and the Demonic Eight. "I think I'm...": Saying and Not Saying the Word Nine. "You've been getting a big head lately": Erotic Acts and Allusions Ten. "They're just roommates": Domesticity and Décor Eleven. The Imaginary South, California Dreams, and Memphis Nightmares Twelve. Betrayal, Breakup, and Reconciliation Thirteen. "They show men kissing": Romantic Acts and Allusions Fourteen. "Where shall we go now?" The Promise of Permanence Fifteen. "Gay, you know": Queering Outside the Frame Sixteen. "He never played gay before": Interviews, Fan Fiction, and the Actors' Private Lives Bibliography Index
Table of Contents Preface One. "Can't friends love each other?" Embracing and Resisting Queer Moments Two. Looking at Men: Expressed Same-Sex Desire Three. Not Looking at Women: Absence of Expressed Heterosexual Desire Four. The Physique and the Phallus Five. "What real gays are like": The Feminine Six. The Murderer and the Mafioso Seven. "We don't believe in anything": Unbelief and the Demonic Eight. "I think I'm...": Saying and Not Saying the Word Nine. "You've been getting a big head lately": Erotic Acts and Allusions Ten. "They're just roommates": Domesticity and Décor Eleven. The Imaginary South, California Dreams, and Memphis Nightmares Twelve. Betrayal, Breakup, and Reconciliation Thirteen. "They show men kissing": Romantic Acts and Allusions Fourteen. "Where shall we go now?" The Promise of Permanence Fifteen. "Gay, you know": Queering Outside the Frame Sixteen. "He never played gay before": Interviews, Fan Fiction, and the Actors' Private Lives Bibliography Index
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