Art is shown to be integral to any life and an essential aspect of humanity in this original translation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Benedetto Croce was an Italian philosopher, historian, and politician born on February 25, 1866, in Pescasseroli, Italy. Renowned for his work in philosophy, historiography, and aesthetics, Croce was a key figure in the development of idealism and made significant contributions to the philosophy of history. He believed that historical knowledge is shaped by contemporary thought and that history is not merely the recounting of past events but an ongoing process of interpretation. Croce's political views were rooted in liberalism, and he formulated a distinction between liberalism and "liberism," emphasizing individual liberty and democratic values. His works span various fields, influencing both intellectual thought and political discourse in Italy and beyond. Croce was influenced by figures such as Giovanni Gentile and Karl Marx, though he diverged in his approach to philosophy and politics. He had a notable family life, being married to Adele Rossi in 1914 and fathering several children, including Lidia Croce and Alda Croce. Croce passed away on November 20, 1952, in Naples, Italy, leaving behind a legacy as a prominent philosopher and historian who shaped 20th-century thought.
Inhaltsangabe
Acknowledgments Translator's foreword Preface 1. Intuition and expression 2. Intuition and art 3. Art and philosophy 4. Historicism and intellectualism in the aesthetic 5. critique of analogous errors in history and logic 6. Theoretical activity and practical activity 7. The analogy between the theoretical and the practical 8. The exclusion of other forms of the spirit 9. That expression cannot be divided into modes or levels: the critique of rhetoric 10. Aesthetic feelings and the distinction between the beautiful and the ugly 11. Critique of aesthetic hedonism 12. The aesthetic of 'That which attracts liking' and the pseudo-aesthetic concepts 13. Physical beauty and the nature of art 14. Errors arising from the confusion between the physical and the aesthetic 15. The activity of externalisation: the technique and the theory of the arts 16. Taste and the reproduction of art 17. The history of art and literature 18. Conclusion: identity of linguistics and the aesthetic Index.
Acknowledgments Translator's foreword Preface 1. Intuition and expression 2. Intuition and art 3. Art and philosophy 4. Historicism and intellectualism in the aesthetic 5. critique of analogous errors in history and logic 6. Theoretical activity and practical activity 7. The analogy between the theoretical and the practical 8. The exclusion of other forms of the spirit 9. That expression cannot be divided into modes or levels: the critique of rhetoric 10. Aesthetic feelings and the distinction between the beautiful and the ugly 11. Critique of aesthetic hedonism 12. The aesthetic of 'That which attracts liking' and the pseudo-aesthetic concepts 13. Physical beauty and the nature of art 14. Errors arising from the confusion between the physical and the aesthetic 15. The activity of externalisation: the technique and the theory of the arts 16. Taste and the reproduction of art 17. The history of art and literature 18. Conclusion: identity of linguistics and the aesthetic Index.
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