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The Aesthetical Letters And Essays This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
Robert David MacDonald (1929 - 2004) was born in Elgin, Scotland. After originally training as a musician, he worked as a Director, Playwright and Translator. As an Assistant Director, he worked at both the Glyndebourne Opera Festival and for the Royal Opera House. In 1971, he became Co-Artistic Director of the Glasgow Citizens Theatre, where he directed fifty plays and wrote fifteen for the venue before his retirement in 2003. The plays that he wrote for the Glasgow Citz include The De Sade Show (1975), Chinchilla (1977), Summit Conference (1978), also seen in the West End with Glenda Jackson and Gary Oldman, A Waste of Time (1980), Don Juan (1980), Webster (1983), Britannicus (2002) and Cheri (2003). As a translator, MacDonald translated over seventy different plays and opera from over ten different languages including The Threepenny Opera, Tamerlano, Die Entfuhrung aus dem Serail, The Marriage of Figaro, Orpheus and The Human Voice, Conversation at Night, Shadow of Angels, The Balcony, The Government Inspector, Tasso, Faust I and II, Ibsen's Brand and Hedda Gabler, Lermontov's Maskerade, Lorca's The House of Bernarda Alba, Moliere's School for Wives and Don Juan, Pirandello's Enrico Four, Racine's Phedre, Schiller's Mary Stuart, The Maid of Orleans and Don Carlos, Chekhov's The Seagull, Verne's Around the World In Eighty Days, Wedekind's Lulu and Goethe's Clavigo. His adaptation of War and Peace ran for two seasons on Broadway and received an Emmy award when shown on U.S television. The Finborough Theatre has previously presented Robert David MacDonald's versions of Rolf Hochhuth's Soldiers (2004) and The Representative (2006)
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