Aidan Mcgarry, Itir Erhart, Hande Eslenziya, Olu Jenzen, Umut KorkutVisual Culture and Communication
The Aesthetics of Global Protest
Visual Culture and Communication
Herausgeber: Mcgarry, Aidan; Eslen-Ziya, Hande; Erhart, Itir
Aidan Mcgarry, Itir Erhart, Hande Eslenziya, Olu Jenzen, Umut KorkutVisual Culture and Communication
The Aesthetics of Global Protest
Visual Culture and Communication
Herausgeber: Mcgarry, Aidan; Eslen-Ziya, Hande; Erhart, Itir
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This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas.
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This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 298
- Erscheinungstermin: 9. Dezember 2019
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 614g
- ISBN-13: 9789463724913
- ISBN-10: 9463724915
- Artikelnr.: 58407489
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 298
- Erscheinungstermin: 9. Dezember 2019
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 614g
- ISBN-13: 9789463724913
- ISBN-10: 9463724915
- Artikelnr.: 58407489
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Aidan McGarry is a Reader in International Politics at the Institute for Diplomacy and International Governance at Loughborough University, London. Itir Erhart is an Associate Professor at Istanbul Bilgi University, Department of Media and Communication Systems. Hande Eslen-Ziya is an Associate Professor of Sociology at the University of Stavanger. Olu Jenzen is Principal Lecturer at the University of Brighton, UK and the Director of the Research Centre for Transforming Sexuality and Gender. Umut Korkut is Professor of International Politics at Glasgow Caledonian University. He has previously published extensively on migration, populism, and democratisation in Hungary and Turkey including two monographs entitled Liberalization Challenges in Hungary and Politics and Gender Identity in Turkey. Currently, he leads the Horizon 2020 funded project D.Rad DeRadicalisation in Europe and Beyond: Detest, Resolve, Reintegrate (2020-2023).
Acknowledgements, Preface: Devisualize Nicholas Mirzoeff Introduction: The
Aesthetics of Global Protest: Visual Culture and Communication Aidan
McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut PART I:
PERFORMANCE, ART AND POLITICS Chapter 1: Queer Visual Activism in South
Africa Tessa Lewin Chapter 2: The Use of Visibility in Contentious Events
in Northern Ireland Katy Hayward and Milena Komarova Chapter 3: Maybe We
Will Benefit From Our Neighbour's Good Fortune: An Exhibition on
Collectivity, Community and Dialogue in Turkey Isil Egrikavuk Chapter 4:
Political Street Art in Social Mobilization: A Tale of Two Protests in
Argentina Holly Eva Ryan Chapter 5: Archiving Dissent: (Im)material
Trajectories of Political Street Art in Istanbul and Athens Julia Tulke
Chapter 6: The Introvert's Protest: Handwriting the Constitution and the
Performance of Politics Interview with Morgan O'Hara by Aidan McGarry PART
II: VISUAL ACTIVISM AND DIGITAL CULTURE Chapter 7: Photography and protest
in Israel/Palestine: The Activestills online archive Simon Faulkner Chapter
8: Drones, Cinema, and Protest in Thailand Noah Viernes Chapter 9: Bearing
Witness to Authoritarianism and Commoning through Video Activism and
Political Film-Making after the Gezi Protests Özge Özdüzen Chapter 10:
Music Videos as Protest Communication: The Gezi Park Protest on YouTube Olu
Jenzen, Itir Erhart, Hande Eslen-Ziya, Derya Güçdemir, Umut Korkut, and
Aidan McGarry Chapter 11: The Activist Chroniclers of Occupy Gezi:
Counterposing Visibility to Injustice Dan Mercea and Helton Levy Chapter
12: When Twitter got #woke: Black Lives Matter, DeRay McKesson, Twitter,
and the Appropriation of the Aesthetics of Protest Farida Vis, Simon
Faulkner, Safiya Umoja Noble and Hannah Guy PART III: CONCLUSION Chapter 13
Conclusion: Reflections on Protest and Political Transformation since 1789
Jim Aulich, Index.
Aesthetics of Global Protest: Visual Culture and Communication Aidan
McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut PART I:
PERFORMANCE, ART AND POLITICS Chapter 1: Queer Visual Activism in South
Africa Tessa Lewin Chapter 2: The Use of Visibility in Contentious Events
in Northern Ireland Katy Hayward and Milena Komarova Chapter 3: Maybe We
Will Benefit From Our Neighbour's Good Fortune: An Exhibition on
Collectivity, Community and Dialogue in Turkey Isil Egrikavuk Chapter 4:
Political Street Art in Social Mobilization: A Tale of Two Protests in
Argentina Holly Eva Ryan Chapter 5: Archiving Dissent: (Im)material
Trajectories of Political Street Art in Istanbul and Athens Julia Tulke
Chapter 6: The Introvert's Protest: Handwriting the Constitution and the
Performance of Politics Interview with Morgan O'Hara by Aidan McGarry PART
II: VISUAL ACTIVISM AND DIGITAL CULTURE Chapter 7: Photography and protest
in Israel/Palestine: The Activestills online archive Simon Faulkner Chapter
8: Drones, Cinema, and Protest in Thailand Noah Viernes Chapter 9: Bearing
Witness to Authoritarianism and Commoning through Video Activism and
Political Film-Making after the Gezi Protests Özge Özdüzen Chapter 10:
Music Videos as Protest Communication: The Gezi Park Protest on YouTube Olu
Jenzen, Itir Erhart, Hande Eslen-Ziya, Derya Güçdemir, Umut Korkut, and
Aidan McGarry Chapter 11: The Activist Chroniclers of Occupy Gezi:
Counterposing Visibility to Injustice Dan Mercea and Helton Levy Chapter
12: When Twitter got #woke: Black Lives Matter, DeRay McKesson, Twitter,
and the Appropriation of the Aesthetics of Protest Farida Vis, Simon
Faulkner, Safiya Umoja Noble and Hannah Guy PART III: CONCLUSION Chapter 13
Conclusion: Reflections on Protest and Political Transformation since 1789
Jim Aulich, Index.
Acknowledgements, Preface: Devisualize Nicholas Mirzoeff Introduction: The
Aesthetics of Global Protest: Visual Culture and Communication Aidan
McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut PART I:
PERFORMANCE, ART AND POLITICS Chapter 1: Queer Visual Activism in South
Africa Tessa Lewin Chapter 2: The Use of Visibility in Contentious Events
in Northern Ireland Katy Hayward and Milena Komarova Chapter 3: Maybe We
Will Benefit From Our Neighbour's Good Fortune: An Exhibition on
Collectivity, Community and Dialogue in Turkey Isil Egrikavuk Chapter 4:
Political Street Art in Social Mobilization: A Tale of Two Protests in
Argentina Holly Eva Ryan Chapter 5: Archiving Dissent: (Im)material
Trajectories of Political Street Art in Istanbul and Athens Julia Tulke
Chapter 6: The Introvert's Protest: Handwriting the Constitution and the
Performance of Politics Interview with Morgan O'Hara by Aidan McGarry PART
II: VISUAL ACTIVISM AND DIGITAL CULTURE Chapter 7: Photography and protest
in Israel/Palestine: The Activestills online archive Simon Faulkner Chapter
8: Drones, Cinema, and Protest in Thailand Noah Viernes Chapter 9: Bearing
Witness to Authoritarianism and Commoning through Video Activism and
Political Film-Making after the Gezi Protests Özge Özdüzen Chapter 10:
Music Videos as Protest Communication: The Gezi Park Protest on YouTube Olu
Jenzen, Itir Erhart, Hande Eslen-Ziya, Derya Güçdemir, Umut Korkut, and
Aidan McGarry Chapter 11: The Activist Chroniclers of Occupy Gezi:
Counterposing Visibility to Injustice Dan Mercea and Helton Levy Chapter
12: When Twitter got #woke: Black Lives Matter, DeRay McKesson, Twitter,
and the Appropriation of the Aesthetics of Protest Farida Vis, Simon
Faulkner, Safiya Umoja Noble and Hannah Guy PART III: CONCLUSION Chapter 13
Conclusion: Reflections on Protest and Political Transformation since 1789
Jim Aulich, Index.
Aesthetics of Global Protest: Visual Culture and Communication Aidan
McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut PART I:
PERFORMANCE, ART AND POLITICS Chapter 1: Queer Visual Activism in South
Africa Tessa Lewin Chapter 2: The Use of Visibility in Contentious Events
in Northern Ireland Katy Hayward and Milena Komarova Chapter 3: Maybe We
Will Benefit From Our Neighbour's Good Fortune: An Exhibition on
Collectivity, Community and Dialogue in Turkey Isil Egrikavuk Chapter 4:
Political Street Art in Social Mobilization: A Tale of Two Protests in
Argentina Holly Eva Ryan Chapter 5: Archiving Dissent: (Im)material
Trajectories of Political Street Art in Istanbul and Athens Julia Tulke
Chapter 6: The Introvert's Protest: Handwriting the Constitution and the
Performance of Politics Interview with Morgan O'Hara by Aidan McGarry PART
II: VISUAL ACTIVISM AND DIGITAL CULTURE Chapter 7: Photography and protest
in Israel/Palestine: The Activestills online archive Simon Faulkner Chapter
8: Drones, Cinema, and Protest in Thailand Noah Viernes Chapter 9: Bearing
Witness to Authoritarianism and Commoning through Video Activism and
Political Film-Making after the Gezi Protests Özge Özdüzen Chapter 10:
Music Videos as Protest Communication: The Gezi Park Protest on YouTube Olu
Jenzen, Itir Erhart, Hande Eslen-Ziya, Derya Güçdemir, Umut Korkut, and
Aidan McGarry Chapter 11: The Activist Chroniclers of Occupy Gezi:
Counterposing Visibility to Injustice Dan Mercea and Helton Levy Chapter
12: When Twitter got #woke: Black Lives Matter, DeRay McKesson, Twitter,
and the Appropriation of the Aesthetics of Protest Farida Vis, Simon
Faulkner, Safiya Umoja Noble and Hannah Guy PART III: CONCLUSION Chapter 13
Conclusion: Reflections on Protest and Political Transformation since 1789
Jim Aulich, Index.







