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By exploring the "aesthetics of shadow" in Japanese cinema in the first half of the twentieth century and treating cinematographers and lighting designers as essential collaborators in moviemaking, Daisuke Miyao reinterprets Japanese film history.

Produktbeschreibung
By exploring the "aesthetics of shadow" in Japanese cinema in the first half of the twentieth century and treating cinematographers and lighting designers as essential collaborators in moviemaking, Daisuke Miyao reinterprets Japanese film history.
Autorenporträt
Daisuke Miyao is Associate Professor of Japanese Film/Cinema Studies at the University of Oregon. He is the author of Sessue Hayakawa: Silent Cinema and Transnational Stardom, also published by Duke University Press.