The Altar of the Dead - James, Henry
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The Altar of the Dead is a poignant exploration of remembrance, mortality, and the quest to preserve the memory of lost loved ones. The protagonist in the story seeks to honor his deceased friends, fearing they will be forgotten in the relentless flow of time. His encounter with a woman who shares his ideals reveals the tension between the past and present, as the weight of memory creates a seemingly insurmountable distance between them. Through the protagonist's journey, the story delves into themes of spiritual devotion and the transcendent power of love, showing how unselfish love can…mehr

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Produktbeschreibung
The Altar of the Dead is a poignant exploration of remembrance, mortality, and the quest to preserve the memory of lost loved ones. The protagonist in the story seeks to honor his deceased friends, fearing they will be forgotten in the relentless flow of time. His encounter with a woman who shares his ideals reveals the tension between the past and present, as the weight of memory creates a seemingly insurmountable distance between them. Through the protagonist's journey, the story delves into themes of spiritual devotion and the transcendent power of love, showing how unselfish love can connect individuals to something beyond the physical world. The narrative, while not overtly religious, offers a deep meditation on the spiritual aspects of life, exploring how memory and love transcend death and the passage of time. It highlights the emotional and existential complexities of holding onto the past while navigating the inevitable changes of life.
Autorenporträt
Henry James (1843 - 1916) was an American-born British writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.