Drawing on various archives in Latin America, Alejandro L. Madrid examines how listening for sound in the archive can provide opportunities to build more inclusive spaces for intellectual exchange and political mobilization.
Drawing on various archives in Latin America, Alejandro L. Madrid examines how listening for sound in the archive can provide opportunities to build more inclusive spaces for intellectual exchange and political mobilization.
Alejandro L. Madrid is Walter W. Naumburg Professor of Music at Harvard University and the author of several books, including Tania LeÓn’s Stride: A Polyrhythmic Life and In Search of JuliÁn Carrillo and Sonido 13.
Inhaltsangabe
List of Illustrations xi List of Abbreviations xv Acknowledgments xvii Introduction. Questions about the Circulation of Knowledge at the Sonic Turn 1 1. Performing Listening, Writing, Reading, and the Assemblage of Archival Constellations 29 2. Patrimony, Objectification, and Representation at Mexico’s Fonoteca Nactional 57 3. Critical Constellations of the Audio-Machine in Mexico and the Performativity of Archiving/Archival Labor 85 4. Things, Sound Objects, and the Legacy at the Berliner Phonogramm-Archiv’s Konrad T. Preuss Collection 117 5. Mexican Rarities, Disco pirata, and the Promise of a Sound Archive of Postnational Memory 161 6. Aurality, Materiality, and the Carrillo Pianos as Archives 191 7. In Search of the Aural City: Collective Action and the Invisible Sound Archive 227 Epilogue. The Relevance of Archives in Times of Post-Truth: An Essay against Nihilism in the Neoliberal Age 270 Notes 285 Bibliography 315 Index
List of Illustrations xi List of Abbreviations xv Acknowledgments xvii Introduction. Questions about the Circulation of Knowledge at the Sonic Turn 1 1. Performing Listening, Writing, Reading, and the Assemblage of Archival Constellations 29 2. Patrimony, Objectification, and Representation at Mexico’s Fonoteca Nactional 57 3. Critical Constellations of the Audio-Machine in Mexico and the Performativity of Archiving/Archival Labor 85 4. Things, Sound Objects, and the Legacy at the Berliner Phonogramm-Archiv’s Konrad T. Preuss Collection 117 5. Mexican Rarities, Disco pirata, and the Promise of a Sound Archive of Postnational Memory 161 6. Aurality, Materiality, and the Carrillo Pianos as Archives 191 7. In Search of the Aural City: Collective Action and the Invisible Sound Archive 227 Epilogue. The Relevance of Archives in Times of Post-Truth: An Essay against Nihilism in the Neoliberal Age 270 Notes 285 Bibliography 315 Index
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