The Arts of Democracy
Art, Public Culture, and the State
Herausgeber: Blake, Casey Nelson
The Arts of Democracy
Art, Public Culture, and the State
Herausgeber: Blake, Casey Nelson
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Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.
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Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.
Produktdetails
- Produktdetails
- Verlag: University of Pennsylvania Press
- Erscheinungstermin: 27. Januar 2009
- Englisch
- Abmessung: 226mm x 152mm x 20mm
- Gewicht: 612g
- ISBN-13: 9780812220018
- ISBN-10: 0812220013
- Artikelnr.: 25942343
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Pennsylvania Press
- Erscheinungstermin: 27. Januar 2009
- Englisch
- Abmessung: 226mm x 152mm x 20mm
- Gewicht: 612g
- ISBN-13: 9780812220018
- ISBN-10: 0812220013
- Artikelnr.: 25942343
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Casey Nelson Blake
List of Figures
Acknowledgments
Introduction: Public Culture Reconsidered
PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE
1. Festival Culture, American Style
—Neil Harris
2. Norman Rockwell, Public Artis
—Michele H. Bogart
PART II. CULTURAL POLICY AND THE STATE
3. Culture and the State in America
—Michael Kammen
4. The Happy Few—en Masse: Franco-American Comparisons in Cultural
Democratization
—Vera L. Zolberg
5. Exporting America: The U.S. Propaganda Offensive, 1945-1959
—Laura A. Belmonte
6. The Goodwill Ambassador: Duke Ellington and Black Worldliness
—Penny M. Von Eschen
7. A Modernist Vision: The Origins and Early Years of the National
Endowment for the Arts' Visual Arts Program
—Donna M. Binkiewicz
8. Between Civics and Politics: The Modernist Moment in Federal Public Art
—Casey Nelson Blake
PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM
9. The Swirl of Image and Sound: On the Latest Version of Antirealism
—Kenneth Cmiel
10. Public Attitudes toward Cultural Authority and Cultural Diversity in
Higher Education and the Arts
—Paul DiMaggio and Bethany Bryson
11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech
in Public Space
—Leslie Prosterman
12. The Public Display of Religion
—Sally M. Promey
Contributors
Index
Acknowledgments
Introduction: Public Culture Reconsidered
PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE
1. Festival Culture, American Style
—Neil Harris
2. Norman Rockwell, Public Artis
—Michele H. Bogart
PART II. CULTURAL POLICY AND THE STATE
3. Culture and the State in America
—Michael Kammen
4. The Happy Few—en Masse: Franco-American Comparisons in Cultural
Democratization
—Vera L. Zolberg
5. Exporting America: The U.S. Propaganda Offensive, 1945-1959
—Laura A. Belmonte
6. The Goodwill Ambassador: Duke Ellington and Black Worldliness
—Penny M. Von Eschen
7. A Modernist Vision: The Origins and Early Years of the National
Endowment for the Arts' Visual Arts Program
—Donna M. Binkiewicz
8. Between Civics and Politics: The Modernist Moment in Federal Public Art
—Casey Nelson Blake
PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM
9. The Swirl of Image and Sound: On the Latest Version of Antirealism
—Kenneth Cmiel
10. Public Attitudes toward Cultural Authority and Cultural Diversity in
Higher Education and the Arts
—Paul DiMaggio and Bethany Bryson
11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech
in Public Space
—Leslie Prosterman
12. The Public Display of Religion
—Sally M. Promey
Contributors
Index
List of Figures
Acknowledgments
Introduction: Public Culture Reconsidered
PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE
1. Festival Culture, American Style
—Neil Harris
2. Norman Rockwell, Public Artis
—Michele H. Bogart
PART II. CULTURAL POLICY AND THE STATE
3. Culture and the State in America
—Michael Kammen
4. The Happy Few—en Masse: Franco-American Comparisons in Cultural
Democratization
—Vera L. Zolberg
5. Exporting America: The U.S. Propaganda Offensive, 1945-1959
—Laura A. Belmonte
6. The Goodwill Ambassador: Duke Ellington and Black Worldliness
—Penny M. Von Eschen
7. A Modernist Vision: The Origins and Early Years of the National
Endowment for the Arts' Visual Arts Program
—Donna M. Binkiewicz
8. Between Civics and Politics: The Modernist Moment in Federal Public Art
—Casey Nelson Blake
PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM
9. The Swirl of Image and Sound: On the Latest Version of Antirealism
—Kenneth Cmiel
10. Public Attitudes toward Cultural Authority and Cultural Diversity in
Higher Education and the Arts
—Paul DiMaggio and Bethany Bryson
11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech
in Public Space
—Leslie Prosterman
12. The Public Display of Religion
—Sally M. Promey
Contributors
Index
Acknowledgments
Introduction: Public Culture Reconsidered
PART I. COMMERCIAL CULTURE AS PUBLIC CULTURE
1. Festival Culture, American Style
—Neil Harris
2. Norman Rockwell, Public Artis
—Michele H. Bogart
PART II. CULTURAL POLICY AND THE STATE
3. Culture and the State in America
—Michael Kammen
4. The Happy Few—en Masse: Franco-American Comparisons in Cultural
Democratization
—Vera L. Zolberg
5. Exporting America: The U.S. Propaganda Offensive, 1945-1959
—Laura A. Belmonte
6. The Goodwill Ambassador: Duke Ellington and Black Worldliness
—Penny M. Von Eschen
7. A Modernist Vision: The Origins and Early Years of the National
Endowment for the Arts' Visual Arts Program
—Donna M. Binkiewicz
8. Between Civics and Politics: The Modernist Moment in Federal Public Art
—Casey Nelson Blake
PART III. THE ARTS AND CIVIC CULTURE AFTER MODERNISM
9. The Swirl of Image and Sound: On the Latest Version of Antirealism
—Kenneth Cmiel
10. Public Attitudes toward Cultural Authority and Cultural Diversity in
Higher Education and the Arts
—Paul DiMaggio and Bethany Bryson
11. "Subtle, Intangible, and Non-Quantifiable": Aesthetics, Law, and Speech
in Public Space
—Leslie Prosterman
12. The Public Display of Religion
—Sally M. Promey
Contributors
Index







