Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, this book addresses the effects of artistic endeavour on the ‘good life’, or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being.
Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, this book addresses the effects of artistic endeavour on the ‘good life’, or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being.
Nancy Van Styvendale is a white settler scholar and is an Associate Professor and Associate Dean (Research) in the Faculty of Native Studies at the University of Alberta. JD McDougall is a Métis PhD candidate from Prince Albert, SK. Her current work explores Métis family stories through community history, archival research, and zine practice, using kinship models as a framework for understanding, re-politicizing, and reclaiming these narratives. Robert Henry is Métis from Prince Albert, Saskatchewan and is an Assistant Professor at the University of Saskatchewan in the Department of Indigenous Studies. Robert Alexander Innes is a Plains Cree member of Cowessess First Nation. He holds a PhD in American Indian Studies from the University of Arizona and is an Assistant Professor in the department of Native Studies at the University of Saskatchewan.
Inhaltsangabe
1. Chapter 1: What This Pouch Holds 2. Chapter 2: Baskets, Birchbark Scrolls, and Maps of Land: Indigenous Making Practices as Oral Historiography 3. Chapter 3: For Kaydence and her Cousins: Health and Happiness in Cultural Legacies and Contemporary Contexts 4. Chapter 4: Stories and Staying Power: Art-Making as (Re)Source of Cultural Resilience and Well-Being for Panniqtumiut 5. Chapter 5: Healthy Connections: Facilitators’ Perceptions of Programming Linking Arts and Wellness with Indigenous Youth 6. Chapter 6: Narrating Relations: Genetic Ancestry Testing and Alternarratives of Queer Kinship 7. Chapter 7: The Doubleness of Sound in Canada’s Indian Residential Schools 8. Chapter 8 Kissed by Lightning: Mediating Haudenosaunee Traditional Teachings through Film 9. Chapter 9: Minobimaadiziwinke (Creating a Good Life): Native Bodies Healing 10. Chapter 10: Body Counts: War, Pesticides and Queer Spirituality in Cherríe Moraga’s Heroes and Saints 11. Chapter 11: “The Song of the Starved Soul” 12. Chapter 12 Sakihiwawin: Land’s Overflow into the space-tial “Otherwise”
1. Chapter 1: What This Pouch Holds 2. Chapter 2: Baskets, Birchbark Scrolls, and Maps of Land: Indigenous Making Practices as Oral Historiography 3. Chapter 3: For Kaydence and her Cousins: Health and Happiness in Cultural Legacies and Contemporary Contexts 4. Chapter 4: Stories and Staying Power: Art-Making as (Re)Source of Cultural Resilience and Well-Being for Panniqtumiut 5. Chapter 5: Healthy Connections: Facilitators’ Perceptions of Programming Linking Arts and Wellness with Indigenous Youth 6. Chapter 6: Narrating Relations: Genetic Ancestry Testing and Alternarratives of Queer Kinship 7. Chapter 7: The Doubleness of Sound in Canada’s Indian Residential Schools 8. Chapter 8 Kissed by Lightning: Mediating Haudenosaunee Traditional Teachings through Film 9. Chapter 9: Minobimaadiziwinke (Creating a Good Life): Native Bodies Healing 10. Chapter 10: Body Counts: War, Pesticides and Queer Spirituality in Cherríe Moraga’s Heroes and Saints 11. Chapter 11: “The Song of the Starved Soul” 12. Chapter 12 Sakihiwawin: Land’s Overflow into the space-tial “Otherwise”
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