The resurgence of experimental music has given rise to a divergent range of practices than has been the case. This book reflects these developments by presenting case studies that document the work of contemporary figures. It encompasses related aspects of performance, improvisation and sonic art.
The resurgence of experimental music has given rise to a divergent range of practices than has been the case. This book reflects these developments by presenting case studies that document the work of contemporary figures. It encompasses related aspects of performance, improvisation and sonic art.
James Saunders is a composer, with an interest in modularity and series. He performs in the duo Parkinson Saunders, and with Apartment House. He is Head of the Centre for Musical Research at Bath Spa University, currently working on the composition and performance practice of text notation, and directs the ensemble Material.
Inhaltsangabe
Contents: Foreword Preface Part I: Why experimental? Why me?, Christopher Fox Writing, music, Michael Pisaro A prescription for action, Philip Thomas Open sources: words, circuits, and the notation/realization relation in live electronic music, Ronald Kuivila Instrumentalizing: approaches to improvising with sounding objects in experimental music, Andy Keep Free improvisation in music and capitalism: resisting authority and the cults of scientism and celebrity, Edwin Prévost Beyond the soundscape: art and nature in contemporary phonography, Will Montgomery Soundwalking: aural excursions into the everyday, John Levack Drever 'We have eyes as well as ears...': experimental music and the visual arts, David Ryan. Part II: Fourteen musicians, James Saunders Antoine Beuger Laurence Crane Rhodri Davies Christopher Fox Bernhard Gÿnter Bryn Harrison Philip Jeck Alvin Lucier Phill Niblock Evan Parker Tim Parkinson Jennifer Walshe Manfred Werder Christian Wolff Bibliography Index.
Contents: Foreword Preface Part I: Why experimental? Why me?, Christopher Fox Writing, music, Michael Pisaro A prescription for action, Philip Thomas Open sources: words, circuits, and the notation/realization relation in live electronic music, Ronald Kuivila Instrumentalizing: approaches to improvising with sounding objects in experimental music, Andy Keep Free improvisation in music and capitalism: resisting authority and the cults of scientism and celebrity, Edwin Prévost Beyond the soundscape: art and nature in contemporary phonography, Will Montgomery Soundwalking: aural excursions into the everyday, John Levack Drever 'We have eyes as well as ears...': experimental music and the visual arts, David Ryan. Part II: Fourteen musicians, James Saunders Antoine Beuger Laurence Crane Rhodri Davies Christopher Fox Bernhard Gÿnter Bryn Harrison Philip Jeck Alvin Lucier Phill Niblock Evan Parker Tim Parkinson Jennifer Walshe Manfred Werder Christian Wolff Bibliography Index.
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