When two men decide to fight for their respective beliefs, they discover to their astonishment that an unbelieving world won't let them, and they find themselves partners and fugitives from the law in this steampunk satire. Penned by G.K. Chesterton in 1909, this whimsical and biting novel eerily foreshadows a world in which "tolerance" is the only god and all those who believe ideas are worth dying for are forced to stand together to defend freedom of speech and belief. For high school-aged readers and up.
When two men decide to fight for their respective beliefs, they discover to their astonishment that an unbelieving world won't let them, and they find themselves partners and fugitives from the law in this steampunk satire. Penned by G.K. Chesterton in 1909, this whimsical and biting novel eerily foreshadows a world in which "tolerance" is the only god and all those who believe ideas are worth dying for are forced to stand together to defend freedom of speech and belief. For high school-aged readers and up.
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
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