Founded in 2005, Whitehot Magazine has become one of the leading channels for contemporary art criticism. On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels are compiling a critical anthology of the magazine's writings, including writing from Donald Kuspit, Noah Becker, Paul Laster, Phoebe Hoban, Cori Hutchinson, Lita Barrie and so on, and interviews with Betty Tompkins, Ross Bleckner, Zachari Logan, Shepard Fairey, John Lurie, Willem Dafoe, Bill Viola and Rita Ackermann, to name a few.
Founded in 2005, Whitehot Magazine has become one of the leading channels for contemporary art criticism. On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels are compiling a critical anthology of the magazine's writings, including writing from Donald Kuspit, Noah Becker, Paul Laster, Phoebe Hoban, Cori Hutchinson, Lita Barrie and so on, and interviews with Betty Tompkins, Ross Bleckner, Zachari Logan, Shepard Fairey, John Lurie, Willem Dafoe, Bill Viola and Rita Ackermann, to name a few.
Noah Becker is an American and Canadian editor, artist, and Jazz musician based in New York since 2005. Beyond Whitehot, Becker has exhibited work in a range of institutions worldwide, including the Vancouver Art Gallery in Canada. Michael Maizels is an historian and critic whose work brings the visual art into collision with a broad range of disciplinary histories and potential futures. He is the author of four books, the most recent of which examines art, politics and markets in contemporary China.
Inhaltsangabe
Art As The Dominant Medium Notes From The Editors Section 1 In Conversation With Noah Becker Section 2 The Painterly Tradition Section 3 New Forms New Formalisms Section 4 Politics, Gender And Race Section 5 Social Life Of The Art World Section 6 The Art World Goes Global Section 7 The Museum, The Critic And The Future Section 8 Past Parties As Prologue
Art As The Dominant Medium Notes From The Editors Section 1 In Conversation With Noah Becker Section 2 The Painterly Tradition Section 3 New Forms New Formalisms Section 4 Politics, Gender And Race Section 5 Social Life Of The Art World Section 6 The Art World Goes Global Section 7 The Museum, The Critic And The Future Section 8 Past Parties As Prologue
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