Exploring the interface between the Bible and film offers exciting opportunities for both biblical scholars and moviegoers alike. The eleven contributors to this provocative and wide-ranging collection deal critically and creatively both with films about the Bible and biblical characters, including the recent controversial The Passion of the Christ, and with a wide range of contemporary films in which biblical themes play a significant, and sometimes surprising, role. Originally published as issue 1-2 of Volume 14 (2006) of Brill's journal "Biblical Interpretation,"
Exploring the interface between the Bible and film offers exciting opportunities for both biblical scholars and moviegoers alike. The eleven contributors to this provocative and wide-ranging collection deal critically and creatively both with films about the Bible and biblical characters, including the recent controversial The Passion of the Christ, and with a wide range of contemporary films in which biblical themes play a significant, and sometimes surprising, role. Originally published as issue 1-2 of Volume 14 (2006) of Brill's journal "Biblical Interpretation,"
J. Cheryl Exum is Professor of Biblical Studies at the University of Sheffield. She is the Executive Editor of Biblical Interpretation and a Director of Sheffield Phoenix Press. The author of numerous scholarly works on the Hebrew Bible, her books include Tragedy and Biblical Narrative: Arrows of the Almighty, Fragmented Women: Feminist (Sub)versions of Biblical Narratives, Plotted, Shot, and Painted: Cultural Representations of Biblical Women, Was sagt das Richterbuch den Frauen?, and, most recently, The Song of Songs: A Commentary. She is currently writing a book entitled Cultural Industry: The Bible and the Arts.
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