"I'd like to be a painter," writes Lisa Dart in these brief, stunning portraits. Each prose-poem is addressed, epistle-like, to her mother, as though the once strikingly beautiful red-head, now diminished by illness, loss, and age, into a white-haired rarely lucid woman, might explain the inexplicable truths of their entwined and tragic history. A train's evening-lit passing, sheepskin ankle boots with snow melting on their tread, the pulse of an emergency room heart monitor- this lyrical and searing language paints a moving picture of the painful but ultimately loving relationship at the fluttering heart of this collection.…mehr
"I'd like to be a painter," writes Lisa Dart in these brief, stunning portraits. Each prose-poem is addressed, epistle-like, to her mother, as though the once strikingly beautiful red-head, now diminished by illness, loss, and age, into a white-haired rarely lucid woman, might explain the inexplicable truths of their entwined and tragic history. A train's evening-lit passing, sheepskin ankle boots with snow melting on their tread, the pulse of an emergency room heart monitor- this lyrical and searing language paints a moving picture of the painful but ultimately loving relationship at the fluttering heart of this collection.
Lisa Dart is a poet and prose writer. A finalist for the Grolier Poetry Prize (USA, 2004), The Aesthetica Poetry Competition (UK, 2013), and The Troubadour International Poetry Prize (UK, 2022), she has a doctorate in creative writing from the University of Sussex (UK). Her poetry has appeared in many journals, including Eastern Iowa Review, Tears in The Fence, and The London Magazine. She is the author of The Linguistics of Light (poems, Salt, 2008); Fathom (prose memoir, Free Association Press, 2019); This Thing of Darkness (IPBooks, 2024), a highly experimental illustrated book using multiple texts, which won a British Arts Council Award; and Even So, This Song (Shangana Press, 2025).
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