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First published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event,…mehr

Produktbeschreibung
First published in 1930, this book deals with Byzantine art, not as an isolated province, but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art, the second chapter opens with a novel analysis of the iconoclast controversy, and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence, and how that event, combined with the increasing humanisation of religious emotion, culminated, not only in Duccio and Giotto, but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book, the mystery of El Greco is finally resolved. The book is based, not only on extensive research but on personal observation of nearly all the works mentioned, in Constantinople, Greece, Crete, Italy, and Spain. It is an important and exciting addition to the history of European Art and establishes, scientifically, theories which only existed in conjecture before its publication. The book includes 94 black and white plates.
Autorenporträt
Robert Byron (1905-1941) was a British writer and art critic whose adventurous spirit and insightful prose left a lasting impact on travel literature. Born into a wealthy family, he rejected a traditional path, choosing instead to explore the world's diverse cultures and architectural wonders.Driven by an insatiable curiosity, Byron ventured across Europe, Asia, and the Middle East, capturing his experiences in vibrant and witty prose. He possessed a distinctive talent for weaving together personal anecdotes with astute observations on art, history, and the social landscapes he encountered. From the monasteries of Mount Athos to the ancient ruins of Persia, Byron sought to understand the soul of a place through its people and its past.His most acclaimed work, The Road to Oxiana, is considered a signature classic of travel writing, admired for its humor, erudition, and vivid descriptions. Byron was also a fervent champion of architectural preservation and a key figure in the resurgence of interest in Byzantine art.Though his life was tragically cut short when his ship was torpedoed by a German U-boat during World War II, Byron's legacy as a writer and explorer endures. His books continue to inspire those with a passion for travel and an appreciation for keen observation and mischievous wit.