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Imogene is young, beautiful, kisses like a movie star and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater.
Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children.…mehr

Produktbeschreibung
Imogene is young, beautiful, kisses like a movie star and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater.

Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected...but it rings at night, anyway, with calls from the dead...

Meet these and a dozen more, in 20TH CENTURY GHOSTS, irresistible, addictive fun showcasing a dazzling new talent.
Autorenporträt
Joe Hill is the number one New York Times bestselling author of the novels The Fireman, NOS4A2, Horns, and Heart-Shaped Box; Strange Weather, a collection of novellas; and the acclaimed story collections Full Throttle and 20th Century Ghosts. He is also the Eisner Award-winning writer of a seven-volume comic book series, Locke & Key. Much of his work has been adapted for film and television, including NOS4A2 (AMC), Locke & Key (Netflix), In the Tall Grass (Netflix), and The Black Phone (Blumhouse).
Rezensionen
Each of these chilling tales arrests you from the opening sentence and leads you - trustingly, thanks to the simple mastery of the story-teller - into a place of gulping fear. DAILY MAIL