Recognizing the importance of chad¿, or teaism, in his native Japan, Okakura Kakuz¿ discusses the practice of brewing and drinking tea for a Western audience. Tying his subject to Zen, Taoism, visual art, and architecture, the author makes a compelling case for tea's centrality to Japanese culture. The Book of Tea is a book-length essay by Okakura Kakuz¿.
Recognizing the importance of chad¿, or teaism, in his native Japan, Okakura Kakuz¿ discusses the practice of brewing and drinking tea for a Western audience. Tying his subject to Zen, Taoism, visual art, and architecture, the author makes a compelling case for tea's centrality to Japanese culture. The Book of Tea is a book-length essay by Okakura Kakuz¿.
Okakura Kakuz¿ (1863-1913) was a Japanese scholar. Born in Tokyo, Okakura was the son of a silk merchant. At fifteen, having learned English at the school of Christian missionary Dr. Curtis Hepburn, he enrolled at Tokyo Imperial University, where he studied under esteemed art historian Ernest Fenollosa. In 1887, Okakura cofounded the Tokyo School of Fine Arts, but was ousted from his role several years later. He spent his career as one of Japan's leading cultural ambassadors, travelling throughout Europe, the United States, and Asia in his capacity as a lecturer. In 1910, he became the first head of the Asian art division of the Museum of Fine Arts in Boston. His major literary works, most of which were written in English, include The Ideals of the East with Special Reference to the Art of Japan (1903), The Awakening of Japan (1904), and The Book of Tea (1906).
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