This Companion gives a comprehensive view of the German composer Johannes Brahms (1833â 97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date.
This Companion gives a comprehensive view of the German composer Johannes Brahms (1833â 97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date.
List of illustrations Acknowledgements Notes on contributors Chronology Preface Part I. Stages of Creative Development and Reception: 1. Brahms the Hamburg musician 1833-1862 Kurt Hofmann 2. Years of transition: Brahms and Vienna 1862-1875 Michael Musgrave 3. Brahms and his audience: the later Viennese years, 1875-1897 Leon Botstein Part II. The Music: Genre, Structure and Reference: 4. Opposition and integration in the piano music John Rink 5. Medium and meaning: new aspects of the chamber music David Brodbeck 6. Formal perspectives on the symphonies Kofi Agawu 7. 'Veiled symphonies'? The concertos Malcolm MacDonald 8. The scope and significance of the choral music Daniel Beller-McKenna 9. Words for music: the songs for solo voice and piano Michael Musgrave Part III. Brahms Today: Some Personal Responses: 10. Conducting Brahms Roger Norrington with Michael Musgrave 11. The editor's Brahms Robert Pascall 12. A photograph of Brahms Hugh Wood Notes List of works Bibliography Index.
List of illustrations Acknowledgements Notes on contributors Chronology Preface Part I. Stages of Creative Development and Reception: 1. Brahms the Hamburg musician 1833-1862 Kurt Hofmann 2. Years of transition: Brahms and Vienna 1862-1875 Michael Musgrave 3. Brahms and his audience: the later Viennese years, 1875-1897 Leon Botstein Part II. The Music: Genre, Structure and Reference: 4. Opposition and integration in the piano music John Rink 5. Medium and meaning: new aspects of the chamber music David Brodbeck 6. Formal perspectives on the symphonies Kofi Agawu 7. 'Veiled symphonies'? The concertos Malcolm MacDonald 8. The scope and significance of the choral music Daniel Beller-McKenna 9. Words for music: the songs for solo voice and piano Michael Musgrave Part III. Brahms Today: Some Personal Responses: 10. Conducting Brahms Roger Norrington with Michael Musgrave 11. The editor's Brahms Robert Pascall 12. A photograph of Brahms Hugh Wood Notes List of works Bibliography Index.
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