The Cambridge Companion to Women Composers
Herausgeber: Head, Matthew; Wollenberg, Susan
The Cambridge Companion to Women Composers
Herausgeber: Head, Matthew; Wollenberg, Susan
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Transcending narratives of female suppression, this Companion traces women's innovative and critical contributions to musical culture in diverse times, places, and contexts from medieval to modern times. A thematically organised exploration of a rich, re-emerging repertoire, it will be essential reading for students of music history.
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Transcending narratives of female suppression, this Companion traces women's innovative and critical contributions to musical culture in diverse times, places, and contexts from medieval to modern times. A thematically organised exploration of a rich, re-emerging repertoire, it will be essential reading for students of music history.
Produktdetails
- Produktdetails
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 376
- Erscheinungstermin: 30. April 2024
- Englisch
- Abmessung: 244mm x 170mm x 21mm
- Gewicht: 642g
- ISBN-13: 9781108733519
- ISBN-10: 1108733514
- Artikelnr.: 69602673
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Cambridge Companions to Music
- Verlag: Cambridge University Press
- Seitenzahl: 376
- Erscheinungstermin: 30. April 2024
- Englisch
- Abmessung: 244mm x 170mm x 21mm
- Gewicht: 642g
- ISBN-13: 9781108733519
- ISBN-10: 1108733514
- Artikelnr.: 69602673
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
List of figures
List of music examples
Notes on contributors
Acknowledgements
List of abbreviations
Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg
Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins
2. In search of a feminist analysis Susan Wollenberg
3. Composing women's history: beyond suppression and separate spheres Matthew Head
4. Progress and professionalism Sophie Fuller
5. Women composers and feminism Leah Broad
Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler
7. Sixteenth-century women composers, beyond borders Laurie Stras
8. Women and composition, c. 1600-1750 Rebecca Cypess
Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg
10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers
11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak
Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller
13. Women composers, experimentalism and technology, 1945-1980 Louise Gray
14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian
Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson
Bibliography
Index.
List of music examples
Notes on contributors
Acknowledgements
List of abbreviations
Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg
Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins
2. In search of a feminist analysis Susan Wollenberg
3. Composing women's history: beyond suppression and separate spheres Matthew Head
4. Progress and professionalism Sophie Fuller
5. Women composers and feminism Leah Broad
Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler
7. Sixteenth-century women composers, beyond borders Laurie Stras
8. Women and composition, c. 1600-1750 Rebecca Cypess
Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg
10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers
11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak
Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller
13. Women composers, experimentalism and technology, 1945-1980 Louise Gray
14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian
Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson
Bibliography
Index.
List of figures
List of music examples
Notes on contributors
Acknowledgements
List of abbreviations
Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg
Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins
2. In search of a feminist analysis Susan Wollenberg
3. Composing women's history: beyond suppression and separate spheres Matthew Head
4. Progress and professionalism Sophie Fuller
5. Women composers and feminism Leah Broad
Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler
7. Sixteenth-century women composers, beyond borders Laurie Stras
8. Women and composition, c. 1600-1750 Rebecca Cypess
Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg
10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers
11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak
Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller
13. Women composers, experimentalism and technology, 1945-1980 Louise Gray
14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian
Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson
Bibliography
Index.
List of music examples
Notes on contributors
Acknowledgements
List of abbreviations
Prologue: studies in women composers - the first fifty years Matthew Head and Susan Wollenberg
Part I. Themes in Studying Women Composers: 1. Historical women composers and the transience of female musical fame Paula Higgins
2. In search of a feminist analysis Susan Wollenberg
3. Composing women's history: beyond suppression and separate spheres Matthew Head
4. Progress and professionalism Sophie Fuller
5. Women composers and feminism Leah Broad
Part II. Highlighting Women Composers Before 1750: 6. Medieval women in composition and musical production Margot Fassler
7. Sixteenth-century women composers, beyond borders Laurie Stras
8. Women and composition, c. 1600-1750 Rebecca Cypess
Part III. Women Composers c. 1750-1880: Forms of Musical Culture: 9. Did women have a classical style? Matthew Head and Susan Wollenberg
10. Women, song, and subjectivity in the nineteenth century Anja Bunzel and Stephen Rodgers
11. Women, pianos, and virtuosity in the nineteenth century Joe Davies and Alexander Stefaniak
Part IV. Women Composers c. 1880-2000: New Waves: 12. First-wave feminism and professional status Sophie Fuller
13. Women composers, experimentalism and technology, 1945-1980 Louise Gray
14. Vibrations: women in sound art, 1980-2000 Gascia Ouzounian
Epilogue: composers' voices Nicola Lefanu, Roxanna Panufnik and Shirley J. Thompson
Bibliography
Index.