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Explore the complexities of urban life and social alienation in Hugh Walpole's "The Captives," a powerful work of psychological fiction set in the vibrant heart of London. This meticulously prepared edition invites readers to delve into a compelling narrative exploring the human condition amidst the sprawling metropolis. Walpole masterfully captures the psychological impact of city life, creating a timeless portrayal of individuals navigating the challenges and isolation of a bustling urban environment. "The Captives" stands as a significant work of literary fiction, offering a poignant…mehr

Produktbeschreibung
Explore the complexities of urban life and social alienation in Hugh Walpole's "The Captives," a powerful work of psychological fiction set in the vibrant heart of London. This meticulously prepared edition invites readers to delve into a compelling narrative exploring the human condition amidst the sprawling metropolis. Walpole masterfully captures the psychological impact of city life, creating a timeless portrayal of individuals navigating the challenges and isolation of a bustling urban environment. "The Captives" stands as a significant work of literary fiction, offering a poignant reflection on social dynamics and the inner lives of its characters. Through its exploration of London and its inhabitants, the novel provides a fascinating lens through which to examine themes of alienation and the search for connection. Immerse yourself in this classic portrayal of London, where Walpole's insightful prose and keen observations create a lasting impact. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Sir Hugh Seymour Walpole (1884 - 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death. After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. Having as a young man eagerly sought the support of established authors, he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. Walpole's output was large and varied. Between 1909 and 1941 he wrote thirty-six novels, five volumes of short stories, two original plays and three volumes of memoirs. His range included disturbing studies of the macabre, children's stories and historical fiction, most notably his Herries Chronicle series, set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield.