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The captivi and the mostellaria presents two Roman comedies that explore deception, identity, and familial relationships within the context of ancient society. The first play begins with a man troubled by the loss of one child and the captivity of another. Two prisoners, aiming to escape their conditions, exchange identities, setting in motion a plot that questions the definitions of freedom and servitude. This switch challenges the assumed social order and generates comedic tension rooted in manipulation and role reversal. The narrative uses this confusion to highlight the instability of…mehr

Produktbeschreibung
The captivi and the mostellaria presents two Roman comedies that explore deception, identity, and familial relationships within the context of ancient society. The first play begins with a man troubled by the loss of one child and the captivity of another. Two prisoners, aiming to escape their conditions, exchange identities, setting in motion a plot that questions the definitions of freedom and servitude. This switch challenges the assumed social order and generates comedic tension rooted in manipulation and role reversal. The narrative uses this confusion to highlight the instability of titles like master and slave, as well as the absurdity of rigid societal structures. The humor emerges from misunderstandings, shifting loyalties, and the desperate ingenuity of those trapped by circumstance. The second play continues this tradition of theatrical farce, relying on sharp dialogue, rapid entrances and exits, and a rhythm of escalating complications to critique vanity, hypocrisy, and deception. Both stories reflect on the fragility of power and the persistence of human cunning, drawing laughter from the chaos that ensues when appearances fail to match reality.
Autorenporträt
Titus Maccius Plautus was a prominent Roman playwright whose works represent some of the earliest complete examples of Latin literature. Born in the town of Sarsina in Italy, Plautus began his life in modest circumstances and is believed to have worked in various trades before turning to the theater. His plays are known for their lively humor, intricate plots, and clever wordplay, and they drew heavily from Greek New Comedy while adapting it to Roman tastes and settings. Specializing in a form of drama known as palliata comoedia, which featured Greek characters and themes performed in Roman dress, Plautus developed a theatrical style that resonated with popular audiences. His comedies often used mistaken identity, social role reversal, and sharp satire to explore human folly and ambition. Although little is known about his personal life, his lasting impact on literature is evident through his influence on later playwrights, especially in the Renaissance and early modern Europe. His works provided a foundation for Western comedic traditions, blending entertainment with commentary on societal norms, authority, and personal desire. He died in Rome around 184 BC, leaving behind a legacy of theatrical innovation that continues to be studied and performed.