McDowell's vibrant scholarship combines close textual analysis with attention to broad social, political, and cultural contexts. In this volume, she also critiques her own earlier positions, reconfiguring and contributing to the evolution of a new black feminist criticism.
McDowell's vibrant scholarship combines close textual analysis with attention to broad social, political, and cultural contexts. In this volume, she also critiques her own earlier positions, reconfiguring and contributing to the evolution of a new black feminist criticism.
DEBORAH E. MCDOWELL, Professor of English at the University of Virginia, is co-editor (with Arnold Rampersad) of Slavery and the Literary Imagination and author of numerous articles and essays on African American texts.
Inhaltsangabe
Preface-Speaking To You about the "Changing the Same" Part I Thinking About Methods Chapter One - New Directions for Black Feminist Criticism Part II Ideas of Tradition Chapter Two - Race of Saints: Four Girls at Cottage City Chapter Three - "The Changing Same": Generational Connections and Black Women Novelists-Iola Leroy and The Color Purple Part III Undercover: Passing and Other Disguises Chapter Four-On FAce: Textual Identities in Jessie Fauset's Plum Bun or Marking and Marketing in the Harlem Renaissance Chapter Five: "The nameless . . . Shameful Impulse": Sexuality in Nella Larsen's Quicksand and Passing Part IV The Reader in the Text Chapter Six-Boundaries: Or Distant Relations and Close Kine - Sula Chapter Seven: Reading Family Matters Part V Hesitating Between Tenses or Allegories of History Chapter Eight-Witnessing Slavery AFter Freedom-Dessa Rose Chapter Nine-Transferences: Black Feminist Discourse: The "Practice" of "Theory"
Preface-Speaking To You about the "Changing the Same" Part I Thinking About Methods Chapter One - New Directions for Black Feminist Criticism Part II Ideas of Tradition Chapter Two - Race of Saints: Four Girls at Cottage City Chapter Three - "The Changing Same": Generational Connections and Black Women Novelists-Iola Leroy and The Color Purple Part III Undercover: Passing and Other Disguises Chapter Four-On FAce: Textual Identities in Jessie Fauset's Plum Bun or Marking and Marketing in the Harlem Renaissance Chapter Five: "The nameless . . . Shameful Impulse": Sexuality in Nella Larsen's Quicksand and Passing Part IV The Reader in the Text Chapter Six-Boundaries: Or Distant Relations and Close Kine - Sula Chapter Seven: Reading Family Matters Part V Hesitating Between Tenses or Allegories of History Chapter Eight-Witnessing Slavery AFter Freedom-Dessa Rose Chapter Nine-Transferences: Black Feminist Discourse: The "Practice" of "Theory"
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