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Bruce Jay Friedman has been hailed by critics as a comic genius, a writer whose vision confronts the malaise of contemporary life with a liberating deadpan humor. Grove Press is proud to reissue the collected short stories by this acclaimed master of modern humor. Hailed by Newsweek as "a bona fide literary event," The Collected Short Fiction of Bruce Jay Friedman brings together Friedman's fifty-seven greatest stories, which appeared in Esquire, Playboy, The New Yorker, and other magazines from 1953 to 1995. "Friedman (is) more interesting than most of Malamud, Roth, and Bellow. . . . What…mehr

Produktbeschreibung
Bruce Jay Friedman has been hailed by critics as a comic genius, a writer whose vision confronts the malaise of contemporary life with a liberating deadpan humor. Grove Press is proud to reissue the collected short stories by this acclaimed master of modern humor. Hailed by Newsweek as "a bona fide literary event," The Collected Short Fiction of Bruce Jay Friedman brings together Friedman's fifty-seven greatest stories, which appeared in Esquire, Playboy, The New Yorker, and other magazines from 1953 to 1995. "Friedman (is) more interesting than most of Malamud, Roth, and Bellow. . . . What makes him more important is that he writes out of the viscera instead of the cerebrum." -- Nelson Algren, The Nation
Autorenporträt
Bruce Jay Friedman (1930-2020) was a novelist, short story writer, playwright, memoirist, and screenwriter. He was the author of many books, including Stern (1962), A Mother's Kisses (1964), The Lonely Guy's Book of Life (1978), and Lucky Bruce: A Literary Memoir (2011). His best-known works of stage and screen include the off-Broadway hit Steambath (1970) and the screenplays for the films Stir Crazy (1980) and Splash (1984), the latter of which received an Academy Award nomination. As editor of the anthology Black Humor (1965), Friedman helped popularize the distinctive literary style of that name in the United States and is widely regarded as one of its finest practitioners. According to the New York Times, his prose is "a pure pleasure machine."