This book examines The Commitments (Parker, 1991) for the first time as a film first and foremost, rather than an adaptation of Roddy Doyleâ s bestselling novel, and as a significant cultural event in 1990s Ireland.
This book examines The Commitments (Parker, 1991) for the first time as a film first and foremost, rather than an adaptation of Roddy Doyleâ s bestselling novel, and as a significant cultural event in 1990s Ireland.
Nessa Johnston is Lecturer in Digital Media and Culture in the Department of Communications and Media, University of Liverpool, and co-investigator on the Leverhulme-funded research project Anonymous Creativity: Library Music and Screen Cultures in the 1960s and 1970s.Her research and teaching interests include screen industries (contemporary and historical), cult media, sound and music in media, independent cinema, and subcultures. Her monograph The Commitments: Youth, Music and Authenticity in 1990s Irelandis published by Routledge.
Inhaltsangabe
Introduction: Beyond Text, Beyond Film: The Commitments as Event Chapter 1: A Commitment to Dublin? From Transnational Co-Production to Locational Specificity Chapter 2: 'Say It Loud, I'm Black an' I'm Proud': Intersections of Race, Class, Gender and Youth on Screen and Soundtrack Chapter: 3 Youth Culture and Music Scenes in 1980s and 1990s Dublin. Chapter 4: Songs and Sonic Authenticity: Mediating Musical Performance Conclusion: The Legacy of The Commitments
Introduction: Beyond Text, Beyond Film: The Commitments as Event Chapter 1: A Commitment to Dublin? From Transnational Co-Production to Locational Specificity Chapter 2: 'Say It Loud, I'm Black an' I'm Proud': Intersections of Race, Class, Gender and Youth on Screen and Soundtrack Chapter: 3 Youth Culture and Music Scenes in 1980s and 1990s Dublin. Chapter 4: Songs and Sonic Authenticity: Mediating Musical Performance Conclusion: The Legacy of The Commitments
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