Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Chapter 1 General Studies of the Concerto Genre Chapter 2 More Specialized Studies Chapter 3 Program Notes Chapter 4 Performance Issues Chapter 5 Concerto Form as Discussed by Contemporary Theorists and Critics Chapter 6 Contemporaneous Critics, Historians, and Writers Chapter 7 Contemporaneous Theorists Chapter 8 Composers and Their Concertos
Chapter 1 General Studies of the Concerto Genre Chapter 2 More Specialized Studies Chapter 3 Program Notes Chapter 4 Performance Issues Chapter 5 Concerto Form as Discussed by Contemporary Theorists and Critics Chapter 6 Contemporaneous Critics, Historians, and Writers Chapter 7 Contemporaneous Theorists Chapter 8 Composers and Their Concertos
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