The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors
Andrea Sabbadini is a psychoanalyst in private practice in London and a lecturer at UCL. He is founding editor of Psychoanalysis and History and book review editor of The International Journal of Psychoanalysis. He chairs the European Psychoanalytic Film Festival and a series of film events at the ICA.
Inhaltsangabe
Mulvey Foreword. Sabbadini Introduction. Part I: Set and Stage. Bertolucci Shaw Mawson The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie Stevenson Taylor Robinson One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti Golinelli Bolognini Sabbadini Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run Lola Run (1999). Pedrón de Martín Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant Cinema Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted Taylor Robinson Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman Rosenheimer Aviad Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody Brearley Filming Psychoanalysis: Feature or Documentary? Two Contributions.
Mulvey Foreword. Sabbadini Introduction. Part I: Set and Stage. Bertolucci Shaw Mawson The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie Stevenson Taylor Robinson One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre Cinema and Psychoanalysis. Part II: Working Through Trauma.Moretti Golinelli Bolognini Sabbadini Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run Lola Run (1999). Pedrón de Martín Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant Cinema Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted Taylor Robinson Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman Rosenheimer Aviad Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody Brearley Filming Psychoanalysis: Feature or Documentary? Two Contributions.
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