First book length study of Ingmar Bergman in a specific European context - political, philosophical and aesthetic. Dispels commonly held myth of Bergman as a culturally isolated Swedish auteur. Use of the unusual concept of demonic materialism to distinguish and discuss Bergman's key loss of faith and the carnal physicality of his vision.
First book length study of Ingmar Bergman in a specific European context - political, philosophical and aesthetic. Dispels commonly held myth of Bergman as a culturally isolated Swedish auteur. Use of the unusual concept of demonic materialism to distinguish and discuss Bergman's key loss of faith and the carnal physicality of his vision.
John Orr (1943-2010) was Emeritus Professor at the University of Edinburgh where he taught film studies. He contributed to many film journals, and his books include Cinema and Modernity, Contemporary Cinema, The Art and Politics of Film, and Hitchcock and Twentieth Century Cinema. His most recent book is Romantics and Modernists in British Cinema (Edinburgh UP, 2010).
Inhaltsangabe
Acknowledgements List of Illustrations Foreword Maaret Koskinen Chapter 1. Ingmar Bergman: The Demons of Modernity Chapter 2. The Shadow of Transcendence: Dreyer-Bergman-Tarkovsky Chapter 3. Lure of the Archipelago: Bergman-Godard-New Wave Chapter 4. Existential Stoicism: Bergman-Antonioni Afterword Anne Orr Filmography Bibliography Index
Acknowledgements List of Illustrations Foreword Maaret Koskinen Chapter 1. Ingmar Bergman: The Demons of Modernity Chapter 2. The Shadow of Transcendence: Dreyer-Bergman-Tarkovsky Chapter 3. Lure of the Archipelago: Bergman-Godard-New Wave Chapter 4. Existential Stoicism: Bergman-Antonioni Afterword Anne Orr Filmography Bibliography Index
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