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This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of "aesthetic agency"- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to…mehr

Produktbeschreibung
This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of "aesthetic agency"- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
Autorenporträt
Ayon Maharaj is Assistant Professor in the Departments of Philosophy and English at Ramakrishna Mission Vivekananda University in West Bengal, India. He was educated at the University of California, Berkeley, Humboldt-Universität zu Berlin, and the University of Oxford.
Rezensionen
How can we both be enraptured and shaken by the experience of art and yet also continuously suspicious of art's promises, seductions, and potentially dangerous uses? Is this complex attitude even coherent, let alone fruitful? By tracing and evaluating the stances on art of Kant, Schelling, Schlegel, Hegel, Kierkegaard, and Altieri, Ayon Maharaj arrives at a compelling account of the work of art as a haunting force that eludes both reduction to any definite message and dismissal as an empty entertainment. In this way, Maharaj brings the tradition of German aesthetic theory strikingly to life in relation to current plights and possibilities of human life in culture. Richard Eldridge, Charles and Harriett Cox McDowell Professor of Philosophy at Swarthmore College, USA 20121121