The Edinburgh Companion to Modernism, Myth and Religion
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New Readings of Elizabeth von Arnim: The Unexpected Modernist consolidates the growing field of Elizabeth von Arnim studies and points to new trajectories for further research. Bringing together recognised and emerging scholarly voices and featuring previously unseen archival materials, this volume introduces key contexts for reading von Arnim's work at an important point in her re-appraisal as a writer. Its eleven chapters highlight critical debates related to modernism, feminism and the middlebrow and explore new contexts such as fashion and material culture, medical humanities, ageing…mehr

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Produktbeschreibung
New Readings of Elizabeth von Arnim: The Unexpected Modernist consolidates the growing field of Elizabeth von Arnim studies and points to new trajectories for further research. Bringing together recognised and emerging scholarly voices and featuring previously unseen archival materials, this volume introduces key contexts for reading von Arnim's work at an important point in her re-appraisal as a writer. Its eleven chapters highlight critical debates related to modernism, feminism and the middlebrow and explore new contexts such as fashion and material culture, medical humanities, ageing studies, music and the visual arts. By focusing on neglected novels from von Arnim's oeuvre and examining better-known work from new perspectives, the volume paves the way for the next decade of von Arnim studies and beyond.
Autorenporträt
Suzanne Hobson is Reader in 20th Century Literature in the English Department at Queen Mary University of London. Her research focuses on modernism and literary theory and she is especially interested in questions of religion and secularism in the first half of the 20th century. She is the author of Unbelief in Interwar Literary Culture: Doubting Moderns (Oxford University Press 2022) and Angels of Modernism: Religion, Culture, Aesthetics 1910-60 (Palgrave Macmillan 2011) and co-editor of The Salt Companion to Mina Loy (2010). She is past Chair of the British Association for Modernist Studies and co-organizer of the London Modernism Seminar. Andrew Radford is Senior Lecturer in Critical Studies at the University of Glasgow. His books include British Experimental Women's Fiction, 1945-1975 (co-edited with Hannah Van Hove, Palgrave, 2021), The Occult Imagination in Britain, 1875-1947 (co-edited with Christine Ferguson, Routledge, 2018), Mary Butts and British Neo-Romanticism: The Enchantment of Place (Bloomsbury, 2014) and Mapping the Wessex Novel: Landscape, History and the Parochial in British Literature, 1870-1940 (Bloomsbury, 2010). He has recently published a critical edition of Marie Corelli's occult bestseller A Romance of Two Worlds (Edinburgh University Press, 2019).