Tiziana La Melia's writing moves between the page, the screen, and the exhibition. Her work engages with thinking through material and image hesitation, nonhuman forms of materiality, violent sentimentality, excessive desire, naiveté, narrative construction, the body and memory.
Tiziana La Melia's writing moves between the page, the screen, and the exhibition. Her work engages with thinking through material and image hesitation, nonhuman forms of materiality, violent sentimentality, excessive desire, naiveté, narrative construction, the body and memory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Born in Italy and currently living on unceded Coast Salish territories, Tiziana La Melia is the author of Oral Like Cloaks, Dialect: Selected Writing (Publication Studio, 2015) and the chapbook Broom Emotion (2012). Recent solo and collaborative presentations of her work include The pigeon looks for death in the space between the needle and the haystack, LECLERE Centfare d'art (Marseille, 2017); Broom Emotion, galerie anne baurrault (Paris, 2017); Innocence at Home, CSA (Vancouver, 2015); and Johnny Suede, Damien and the Love Guru (Brussels, 2017). In 2014, she was a writer-in-residence at Gallery TPW (Toronto) and winner of the 2014 RBC Painting Competition Prize. Talonbooks published her The Eyelash and the Monochrome in 2018.
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