Edward IV' was one of the most popular plays of the early modern period, making a vital contribution to the genres of both chronicle history and the newly emergent 'domestic' tragedy. It is a work rich with allusions to the political and cultural controversies of its time, and a drama which demonstrates a brilliant if unusual stagecraft.
Edward IV' was one of the most popular plays of the early modern period, making a vital contribution to the genres of both chronicle history and the newly emergent 'domestic' tragedy. It is a work rich with allusions to the political and cultural controversies of its time, and a drama which demonstrates a brilliant if unusual stagecraft.
Richard Rowland is Lecturer in English Literature and Drama at the University of York
Inhaltsangabe
General Editors' preface Acknowledgements References and abbreviations Introduction The Players and their patron The play on the early modern stage The question of authorship The Falconbridge rebellion The Tanner of Tamworth Essex The opening of the Shores' story The French expedition The end of the Shores' story The text(s) The characters in the play, and notes on the characters The First and Second Parts of King Edward IV Textual notes Index
General Editors' preface Acknowledgements References and abbreviations Introduction The Players and their patron The play on the early modern stage The question of authorship The Falconbridge rebellion The Tanner of Tamworth Essex The opening of the Shores' story The French expedition The end of the Shores' story The text(s) The characters in the play, and notes on the characters The First and Second Parts of King Edward IV Textual notes Index
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