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The relation between art and philosophy is highly precarious. To explore this complex connection, the contributors to this volume have structured their texts around key questions such as: What image of thought emerges when artistic practices are integrated into philosophical research? How does the conceptual personae of philosophers change when they become artist-philosophers? And how do writing and working methods shift when crossing the boundaries between art and philosophy? This approach opens up a holistic perspective on strategies, methodologies, and concrete examples of writing and reading by philosopher-artists and artistic researchers who strive toward a genuine crossover between art and philosophy.