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Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable…mehr

Produktbeschreibung
Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable vanquished', Philippe Carrard characterizes the type of bitter, unrepentant memory at work in the volunteers' recollections and situates it on the map of France's collective memory. In the process, he contributes to the ongoing conversation about memory, asking whether all testimonies are fit to be given and preserved, and how we should deal with life narratives that uphold positions now viewed as unacceptable.
Autorenporträt
Educated in Switzerland, Philippe Carrard has taught at the University of Pennsylvania, the University of California at Santa Barbara, the University of California at Irvine, and the University of Vermont and is currently a Visiting Scholar in the Comparative Literature Program at Dartmouth College. Over the past twenty years, his research has mainly concerned factual discourse - the discourse that claims to represent actual events and situations. In this area, he has published Poetics of the New History: French Historical Discourse from Braudel to Chartier (1992), as well as numerous articles and book chapters that analyze conventions of writing in nonfiction.